1. How successfully does the poem commemorate the dead art of weaving the Dacca gauze?
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Answer:
The poem “Dacca Gauzes” by Agha Shahid Ali reflect the memory of last objects and how they could never be compensated for, is an immediate sense of being physically distanced in time that is the reference to how even his grandmother had only worn the cloth once; the art has truly been lost for generations.
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Answer:
Agha Shahid Ali's poem is about the Dacca Gauze, a textile so fine and thin that he compares it to woven air. It is the poet's interpretation of the 'dead craft' of weaving, as well as his grandmother's grief over the loss of the lovely fabric.
The poet begins by describing how thin the material was. He describes it as "woven air, rushing water, and evening dew." The weaving of such cloth was a "dead art now, dead for a hundred years." He recalls his granny wearing a sari. He recalls how it could all be dragged through a ring and then cut into small handkerchiefs when it tore. The poet is troubled by the idea that the British amputated the hands of Bengali weavers before shipping the fabric to England. Since then, no one has been able to match the quality of the Dacca gauzes.
The grandmother's vision is the poem's second point of view. She is unconcerned with Bengal's tragic history or how "the looms of Bengal were silenced." Her only regret is that the amazing Dacca gauzes are no longer available. "No one now knows what it was like to wear or touch that cloth," she says. The grandma, engrossed in her memories, frequently attempts to rip the non-existent muslin from the air.
'The Dacca Gauzes' is a journey back in time to the poet's grandmother and her deep love of the vivid textile.
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