1.In this musical style, the sounds of different chords
overlapped lightly with each other to produce new subtle
musical colors.
2. A style that exhibited a new attitude toward musical mobility,
whereby the order of note groups could be varied so that
musical continuity could be altered.
3. It was a moderating factor between the emotional excesses of
the Romantic period and the violent impulses of the soul in
expressionism.
4. Is a looser form of 20th century music development focused
on nationalist composers and musical innovators.
5. Is a condition of music in which the constructs of the music do
not “live” within the confines of a particular key signature,
scale, or mode.
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