1.Write a descriptive/narrative essayon the scene that meets your eyes when you look out of your window on a summer
afternoon.
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Your first job as a storyteller is a simple one, and a crucial one. You have to get your passengers into your train – your readers into your story. Only then can you hope to transport them.
Your first job as a storyteller is a simple one, and a crucial one. You have to get your passengers into your train – your readers into your story. Only then can you hope to transport them.And that crucial first step doesn’t have much to do with characters or story or anything else.
Your first job as a storyteller is a simple one, and a crucial one. You have to get your passengers into your train – your readers into your story. Only then can you hope to transport them.And that crucial first step doesn’t have much to do with characters or story or anything else.What matters first is this: your fictional world has to seem real. It has to grip the reader as intensely as real life – more intensely, even.
Your first job as a storyteller is a simple one, and a crucial one. You have to get your passengers into your train – your readers into your story. Only then can you hope to transport them.And that crucial first step doesn’t have much to do with characters or story or anything else.What matters first is this: your fictional world has to seem real. It has to grip the reader as intensely as real life – more intensely, even.Writing descriptions that seem vivid is therefore essential. The buildings, cities, places, rooms, trees, weather of your fictional world have to be convincing there. They have to have an emphatic, solid, believable presence.
Your first job as a storyteller is a simple one, and a crucial one. You have to get your passengers into your train – your readers into your story. Only then can you hope to transport them.And that crucial first step doesn’t have much to do with characters or story or anything else.What matters first is this: your fictional world has to seem real. It has to grip the reader as intensely as real life – more intensely, even.Writing descriptions that seem vivid is therefore essential. The buildings, cities, places, rooms, trees, weather of your fictional world have to be convincing there. They have to have an emphatic, solid, believable presence.A big ask, right? But it gets harder than that.
Your first job as a storyteller is a simple one, and a crucial one. You have to get your passengers into your train – your readers into your story. Only then can you hope to transport them.And that crucial first step doesn’t have much to do with characters or story or anything else.What matters first is this: your fictional world has to seem real. It has to grip the reader as intensely as real life – more intensely, even.Writing descriptions that seem vivid is therefore essential. The buildings, cities, places, rooms, trees, weather of your fictional world have to be convincing there. They have to have an emphatic, solid, believable presence.A big ask, right? But it gets harder than that.Because at the same time, people don’t want huge wodges of descriptive writing. They want to engage with characters and story, because that’s the reason they picked up your book in the first place.
Your first job as a storyteller is a simple one, and a crucial one. You have to get your passengers into your train – your readers into your story. Only then can you hope to transport them.And that crucial first step doesn’t have much to do with characters or story or anything else.What matters first is this: your fictional world has to seem real. It has to grip the reader as intensely as real life – more intensely, even.Writing descriptions that seem vivid is therefore essential. The buildings, cities, places, rooms, trees, weather of your fictional world have to be convincing there. They have to have an emphatic, solid, believable presence.A big ask, right? But it gets harder than that.Because at the same time, people don’t want huge wodges of descriptive writing. They want to engage with characters and story, because that’s the reason they picked up your book in the first place.So your challenge becomes convincing readers that your world is real . . . but using only the lightest of touches to achieve that goal.
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A sunny Day
Warm sun from the sunny summer sky beat down on my exposed legs clobbered with sunscreen. Summer was not, my favorite season, but at moments like these. Nothing could be better. Resting on my beach chair I observed the wide expanse of chaos held at the beach. The cloudless day was perfect for this sunny day. The light blue sky was brilliant against the green waves. It felt so picture perfect!
Dashing into the waves I would soak in the cool water. Floating in the current as the waves pushed and pulled me in all directions. Joining in to play beach volleyball with my family I would jump up to hit the ball. The volleyball would go spinning through the air water droplets flying off of it in all directions as it swerved in an arc of white and contacted with my moms arms locked together in a platform. The ball would ricochet off her arm, shooting sky high. The game would go on like that for a while. Eventually my team would win. I would frolic into the water enjoying the day. Splashing water around with my sister. Finally I would walk along the beach, searching for seashells. I would find the perfect seashell a beautiful swirl that isn’t chipped in any places. To make this day even better I might even find a sand dollar. A whole one! That’s a pearly white color.