പവർത്തനം - 16 തേൻകനി'യെന്ന നാടകത്തിൽ നിങ്ങൾക്കേറ്റവും ഇഷ്ടപ്പെട്ട കഥാപാത്രം ആരാണ്? ആ കഥാ പാതത്തിന്റെ നാടകത്തിലുള്ള സ്ഥാനം, കഥാഗതിയിലുള്ള പങ്ക്, ജീവിതകാഴ്ചപ്പാട്, മറ്റു കഥാപാ ത്രങ്ങളോടുള്ള സമീപനം തുടങ്ങിയവ പരിഗണിച്ച് കഥാപാത്രനിരൂപണം തയാറാക്കുക.
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Answer:
ACTING
The actor’s approach to his role
Stanislavsky suggested that the actor, in approaching his work on a scene, ask himself four questions: (1) who he is (character), (2) where he is (place), (3) what he is doing there (action and intention), and (4) what happened before he came there (given circumstances). The answers to these questions provide the actor with the necessary background for his performance, helping him to create the scene. In approaching the play in its entirety, the actor must subject his role to more intense analysis: he must search for the spine, or the kernel, of the play as well as its division into separate sections or units of actions. He must discern the beats of the play (i.e., the smallest units of dramatic action into which each role can be divided) as well as the rhythms of the play as a whole, and he must determine what adjustments must be made in his performance for each of the other characters. For some plays an additional element is necessary: the overall mood, or pervading texture, that surrounds the play or out of which the play stems. The attempt to determine it, however, may lead to an excess of verbal and mental gymnastics that are of little actual value, unless the actors have been trained in the proper procedures. The actors must act out the elements involved in the analysis in order to receive any concrete benefit from it; otherwise it may remain superficial or merely intellectual.