2. How is the play different from the book?
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Answer:
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Answer:
People have started asking me what the difference is between writing plays and writing novels. I find the question completely paralysing, and recently I’ve felt quite unhealthily preoccupied by it, because, to my surprise, I don’t know the answer.
I can offer possible differences between a play and a novel. The principle difference, to my mind, is time. Plays are experienced at a tempo the audience doesn’t select; a novel is read at the pace of the reader. That’s a totally different relationship between the material and its recipient, and opens up myriad potentialities which both forms feed on, creating infinite potential points of divergence between the two worlds. Additionally to this, as a general rule, a novel lasts many more hours than a play – not only because most plays are done in an evening, but also because most readers will exercise their right to choose the pace of their experience and read a book over several sittings, fitting in their lives around the reading, leaving the story aside and then coming back to it. This makes different subjects, and different approaches to narrative, appropriate (and inappropriate) for the different media. There are metaphoric structures which blow your mind in the theatre and could never sustain across the whole of a novel, the whole of a busy week where a reader only snatches a few pages before bed and can’t quite remember a character’s name. And there are architectural feats that make novels look extraordinary, and make plays look self-involved.
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