2. Visit any old monument or historical building of your city. Observe its architecture carefully and find out
information about the art, architecture and religion prevalent during that period.
Answers
Answer:
Taj Mahal, synonymous with India’s identity, is the crowning jewel of Mughal architecture in India. The Mughal tradition of erecting majestic mausoleums in memory of Royal members found its culmination in the Taj’s majestic form. The Humayun’s tomb built in 1562 was a major influence over Taj’s design. An architectural marvel, the structure incorporates elements of Persian influences like the design of the Dome and incorporation of arched entrances or ‘Iwans’ along with inspiration from contemporary Hindu design elements like chhatris and copious incorporation of the lotus motif. Described by Tagore as “the tear-drop on the cheek of time”, the monument embodies funereal austerity turned into the most beautiful reminder of eternal love.
The central focus of the complex is the Tomb structure. Made completely out of white marble, its beauty lies in the symmetry of its architecture. The structure is situated on a raised square plinth, also made of white marble, at a height of 50 m from the river level, at one end of the complex. The tomb itself is situated at the center of the plinth, framed by four equidistant minarets. The Taj Mahal is a square structure with sides measuring 55 m. The minarets are spread at a distance of 41.75 m from the tomb wall and have a height of 39.62 m. There is a bulbous central dome in the main building, 18.28 m in diameter and 73 m in height. The dome is elevated from the top of the building by a 7 m high cylindrical base. It is decorated at its top by lotus motif and ends in a gilded finial topped with the Islamic half-moon. The spherical and grand aspect of the central dome is emphasized by incorporation of smaller domes on both sides in the form of chhatris, also capped in gilded finials. Each minaret is divided into three equal segments by two balconies and has an octagonal base. The delicate curve of the dome is emphasized by the tapering structure and slightly angular placement of the minarets. The entrance to the main tomb is framed by a huge arched vault or Iwan which in turn is again framed by two similar but smaller arches on each side. These arches indicate stacked balconies along two different levels. This is called pishtaqs, which is replicated on all the eight edges of the building affording it another dimension of symmetry.
The interior of Taj mahal is dominated by a cavernous octagonal central chamber with eight smaller chambers radiating from it. The smaller chambers are leveled across two floors making a total of 16 such niches. The central chamber is the main funerary chamber housing the cenotaphs of Mumtaz Mahal and Shah Jahan. The two ornate marble cenotaphs are enclosed within a marble screen and face the south. The actual sarcophagi are housed below the tomb is a relatively simple crypt.
Although Islam prohibits elaborate decoration of tombs, Shah Jahan flamboyantly overlooked the dictate and commissioned opulent detailing of the interior surfaces. Inlays of Pietra dura and lapidary adorn the floors and works of the walls and floors. Copious amounts of gemstones were used for the design along with colored stones. Highly polished surfaces reflect the light filtered through marble lattice work in the windows and arches. Calligraphic inscriptions of the 99 names of God is carved on the tombs itself and on Shah Jahan’s tomb an addition passage has been inscribed in impeccable calligraphy reading "He travelled from this world to the banquet-hall of Eternity on the night of the twenty-sixth of the month of Rajab, in the year 1076 Hijri.".
Every element of the Taj complex was designed to uphold the majesty and beauty of the Taj Mahal. The main entrance gateway or Darwaza-e-Rauza is constructed with red sandstone and is designed in such a way that standing outside the archway one cannot see the Taj, but upon entering it manifests offering a breathtaking effect.
The mosque on the western side of the Taj Mahal and the Nakkar Khana or guest house on the eastern side are made with red sandstone. They are mirror images of each other in design, which in Mughal architectural terms is called Jawab, and enhance the symmetry of the Taj along with emphasizing the translucent beauty of the white marble structure.