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किस राग में दोनों निषाद लगते हैं ?
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किस राग में दोनों निषाद लगते हैं ?
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Numerous ragas in Indian classical music employ both the komal nishad (flat seventh note) and shuddha nishad (lower octave sounds). (natural seventh note). Raga Malkauns is one such raga, nevertheless, that makes extensive use of both nishads.
- An intense and sombre raga known as Raga Malkauns is frequently performed in the late-night hours, particularly in the first quarter of the night.
- It is a part of the parent scale known as the Bhairav Thaat in Hindustani classical music. The raga is renowned for its profound, peaceful, and introspective atmosphere and employs all seven notes in both its ascending and descending scales.
- Sa (tonic), Komal Ga (flat third), Komal Dha (flat sixth), and Shuddha Ni (natural seventh) are the notes used in the Malkauns ascending scale. Shuddha Ga (natural third), Shuddha Ma (natural fourth), and Shuddha Dha are used in the Malkauns descending scale. (natural sixth). In order to utilise both the Komal Ni (flat seventh) and Shuddha Ni (natural seventh) in its ascending and descending scales, the raga uses both nishads.
- Malkauns is a well-liked raga among musicians and is frequently utilised in performances as the foundation for improvisation and extension. It is a favourite of both performers and listeners due to its rich and complicated structure, which provides many options for creativity, expression, and invention.
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