Question

4. During the Industrial Revolution, goods were
produced in
fooling of love and pride for one's​

Answer 1

Answer:

The reception history of Jane Austen follows a path from modest fame to wild popularity. Jane Austen (1775–1817), the author of such works as Pride and Prejudice (1813) and Emma (1815), has become one of the best-known and most widely read novelists in the English language.[1] Her novels are the subject of intense scholarly study and the center of a diverse fan culture.  

During her lifetime, Austen's novels brought her little personal fame. Like many women writers, she chose to publish anonymously, but her authorship was an open secret. At the time they were published, Austen's works were considered fashionable, but received only a few reviews, albeit positive. By the mid-19th century, her novels were admired by members of the literary elite who viewed their appreciation of her works as a mark of cultivation, but they were also being recommended in the popular education movement and on school reading lists as early as 1838. The first illustrated edition of her works appeared in 1833, in Richard Bentley's Standard Novels series, which put her titles before thousands of readers across the Victorian period.

The publication in 1870 of her nephew's Memoir of Jane Austen introduced her to a wider public as an appealing personality—dear aunt Jane—and her works were republished in popular editions. By the start of the 20th century, competing groups had sprung up—some to worship her and some to defend her from the "teeming masses"—but all claiming to be the true Janeites, or those who properly appreciated her. The "teeming masses", meanwhile, were creating their own ways of honoring Austen, including in amateur theatricals in drawing rooms, schools, and community groups.

Explanation: