Music, asked by restybrentmira, 4 months ago

4. The traditional music of Laos has similarities with that of thailand and
__________.

5. The music of Thailand,Laos, and Combodia is almost identical, although their individual political histories differ. They have the same types of orchestra namely, piphat,kruengsai and__________.

6. Indonesia and Malaysia have the same musical forms like of Wayang Kuit accompanied by the_________.

7. Both vocal and instrumental music in________use slendro of pelog scale.

8. Kertok is a musical ensemble from________ which consists of xylophone played swiftly and rhythmically in traditional Malay functions.

9. Kompang ensemble from Malaysia is commonly played during________.

10. The world Nha Nhac means_________. This covers a broad range of musical and dance styles performed at the vietnamese royal court from the fifteenth to the mid-tweentieth century.​

Answers

Answered by asuryaprakash5241
26

Explanation:

The music of Laos includes the music of the Lao people, a Tai ethnic group, and other ethnic groups living in Laos. The traditional music of Laos has similarities with the traditional music of Thailand and Cambodia, including the names of the instruments and influences and developments.

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Answered by BrainlyYoda
2

4. The traditional music of Laos has similarities with that of Thailand and Cambodia.

5. The music of Thailand, Laos, and Cambodia is almost identical, although their individual political histories differ. They have the same types of orchestra namely pi phat, kruang sai, and mahori.

6. Indonesia and Malaysia have the same musical forms as Wayang Kulit accompanied by the gamelan.

7. Both vocal and instrumental music in Indonesia use slendro of pelog scale.

8. Kertok is a musical ensemble from Malay Peninsula which consists of xylophone played swiftly and rhythmically in traditional Malay functions.

9. Kompang ensemble from Malaysia is commonly played during weddings.

10. The world Nha Nhac means elegant music. This covers a broad range of musical and dance styles performed at the Vietnamese royal court from the fifteenth to the mid-twentieth century.​

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