A summer poem summary by jayanta mahapatra
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Here, the poem offers a few pictures which are by no means interconnected, though they are all suspended to be pictures of the phenomenon which are supposed to occur in this country. First is the picture of a morning wind blowing and producing moaning sounds.
Answer:
Indian Summer by Jayanta MahapatraIndian Summer is not in reality a summer poem exactly, but something more added to privately and personally. Jayanta Mahapatra as a poet is not concerned with the summer, but his private reflection which he does so often. A poet of the country, especially Indiancountry and rural perspective, Jayanta is out and out an Oriya.It is summertime, the wind is blowing and the priests chanting appearing to be louder than ever. !he mouth of India is opening."erhaps the thing is different here. !he country people generally ta#e food after worshipping their deity in their homes or in temples. $ood is generally coo#ed and ta#enlate into the noontime. So the references seem to be closer to mantric incantation and thetemple bells being tolled. On the one hand the heat and summer is baffling while on theother the priests #eep reading the scriptures, offering rituals, saying the words of benediction, see#ing blessing from and blowing conches. Such a thing is a general featureof %indu homes.$ood is coo#ed through the earthen oven fuelled by haystac#s, logs, leaves and cow dungca#es. So it will definitely ta#e time. !here is also no certainty of cereals and grains beingavailable in full. &ant, scarcity and lac# of resources are the things of the rural India.!oday people can store and stoc# mechanically. In the past it was difficult to sustain.After the worship is over, the priests and others will ta#e the midday meal and with itclic#s the stories of hunger.Such is the intensity of heat that the crocodiles move into the waters. Against such a bac#drop he does the thin#ing.'ut he grows personal when he refers his good wife being with him during the noondaydreaming, not exhausted at all by the deep roar of funeral pyres. !he summer afternooncontinues to be long, full of perspiration and sweating. It is also a truth the heat of the sunscorches it all.A small poem it impresses us with the words such as the mouth of India opens. !he poetmeans to say it that India is India when full of (edic incantation and )panishadicrecitation. &hen one lies *ueued to enter into the temple, the heat too hangs it not heavyupon.
Over the soughing of the sombre wind priests chant louder than ever.the mouth of India opens +rocodiles move into deeper waters.!he good wifelies on my bedthrough the long afternoon-dreaming still, not exhausted by the deep roar of funeral pyres.!he last lines of the poem not exhausted by the deep roar of funeral pyres/ appear to betwitching and intricate. Jayanta as a poet is not only feministic, but sexual too, privatelyreflective. "oetry to him is his private domain.Maybe it that the wife lies she sleeping by his side oblivious of the pyres burning far from and the voices coming from, ta#en by the %indus while doing the cremation. &ord play and imagery are two ma0or aspects of his poetry.A small poem of a few lines it is a beautiful description of the summer season rarelyunderstood and interpreted in the real light. !o understand a poem also needs to ta#e theentire things into consideration. &ithout #nowing the people, their foodhabit, climate,manner, dress, language, one may not be able to assess their writings properly.!he other aspect too is this that the woman is but a slave of man in our society. She is nota free and liberated self as we often tal# about chastity, virginity, honour and purity.