About the dream of apj abdul kalam
Answers
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The Dream of Dr.A.P.J.Abdul Kalam was to make India a developed nation in the world .In VISION 2020 he said India will become developed nation because by the year 2020 India will be the youngest nation in the world having more youth.He believed the Students and youth of India that only they can lead the nation towards growth. He asked the Indian Youths to dream Big. He believed that a nation can be developed only by the development of the various fields like Education,Agriculture,medicine &Healthcare,science & technology,Government administration and politics.
Answer:
The aspiration of Dr. Abdul Kalam was to fly combat aircraft. But he was destined for a different career by fate. While he was unable to realize his desire to pilot a fighter jet, he adopted a different goal, toiled as a scientist, and eventually became known as the "Missile Man of India."
Explanation:
Two unlikely individuals made headlines during A.P.J. ABDUL KALAM's first presidential visit to Thiruvananthapuram: a cobbler and the proprietor of a tiny eatery. Both of them were visited by the president, who had at least one of them as a guest at a Raj Bhavan reception. As long as Kalam worked at the Vikram Sarabhai Space Center, George, his longtime cobbler, kept his sandals in good condition (VSSC). Kalam typically ate two meals a day at the vegetarian Sree Guruvayurappan Hotel, which was operated by Parameswaran Nair.
I think the former president's grounded existence is what inspired him to dream of a better future for everyone in this country as this edition of THE WEEK assesses how Kalam's vision of 2020 has played out. So, how far along is the dream? In this cover story, we examine eight industries: urban infrastructure, defense, space, agriculture, education, and telecom.
Arun Tiwari, a co-author of Kalam's autobiography Wings of Fire, is the author of the lead piece. Tiwari emphasizes painful facts while recognizing the places where the nation has advanced by calling a spade a spade. He claims that black money is once again prevalent and that "large people are not returning bank loans" because they enjoy cross-party political protection. While Tiwari himself wants to see India's economy grow to $5 trillion, economist Montek Singh Ahluwalia claims in another piece in this issue that the objective is unlikely to be reached by 2024.
Amitabh Kant, the CEO of NITI Aayog, is one of the other voices in the cover story and makes a compelling case for investing in urban infrastructure. The CEO and founder of BrahMos Aerospace, A. Sivathanu Pillai, argues that India should dominate the space industry. Dear reader, I am confident you will enjoy the cover story, which will motivate many people to work toward the dream that was demonstrated to us by the modest giant from Rameswaram. Additionally, I hope that the recommendations in the articles will assist the administration in assessing how far we have come and how much further we still have to go.
One of the most well-known photographs Henri Cartier-Bresson took in India is the one of a rocket's nose cone being transported on a bicycle, which was taken in Thumba, the location of VSSC. The second image of two guys crouching on the ground and working on a rocket's cargo is credited to Cartier-Bresson. One of them, who is shirtless and wearing spectacles, seemed anxious. R. Aravamudan, a veteran of the ISRO, and Kalam are the two men without shirts. That picture screams tenacity to me.
Kalam had a lot of faith in the teacher, the mother, and the father. I kowtow in respect to those three people in his life after seeing how he turned out. His life also serves as a mirror for us, reflecting our own parenting, teaching, and other qualities.
Let me finish by providing a unique opportunity that THE WEEK had related to photographs. You would have enjoyed the contemplative Kalam on the cover if you had seen Wings of Fire. It is a piece from our past. We were pleased to give permission when Universities Press requested the image. And the photographer working behind the lens was B. Jayachandran, a former senior picture editor for the Malayala Manorama, who Kalam really loved.
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