Activity Based on the above discussion, fill out the table below. 1. Choose two folk songs with different places of origin. 2. Analyze what musical characteristics does each folk song have that has a direct influence from its place of origin.
Folk Song
Musical Characteristic
Place of Origin
Musical Characteristic's relation to place of origin
pasagot Naman please need lang po
Answers
Answer:
Two folk songs with different places of origin are :
1. Ievan Polkka [Finland]
2. Milan Hobe Koto Dine [India(West Bengal)]
Explanation:
Musical Characteristics :
1. Ievan Polkka : It displays the traditional music of Finland with the usual intricate use of acapella, instruments like the Finnish Flute and Bass instruments with a key of D-minor and a range between A₄ - A₅. It also has a time signature of 2/4 and a tempo of 108 BPM(Beats per Minute).
2. Milan Hobe Koto Dine : It is a folk song of Bengal with a heavy use of Ektara (One-Stringed Instrument used in the Baul song faction of Bengal) and a percussion party of Cymbals and Dholak . Aᵇ Minor or D-major key work for it and a varying tempo above 170 BPM make it's gradual ascension in notes give a huge vibe of energy, representing the unending motion and range in the Baul musicology.
Answer:
Two folk songs with different places of origin are :
1. Ievan Polkka [Finland]
2. Milan Hobe Koto Dine [India(West Bengal)]
Explanation:
Musical Characteristics :
1. Ievan Polkka : It displays the traditional music of Finland with the usual intricate use of acapella, instruments like the Finnish Flute and Bass instruments with a key of D-minor and a range between A₄ - A₅. It also has a time signature of 2/4 and a tempo of 108 BPM(Beats per Minute).
2. Milan Hobe Koto Dine : It is a folk song of Bengal with a heavy use of Ektara (One-Stringed Instrument used in the Baul song faction of Bengal) and a percussion party of Cymbals and Dholak . Aᵇ Minor or D-major key work for it and a varying tempo above 170 BPM make it's gradual ascension in notes give a huge vibe of energy, representing the unending motion and range in the Baul musicology.