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after the storm summary

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Hirokazu Kore-eda has drawn comparisons to Yasujiro Ozu in the way he’s not as interested in major plot twists or set pieces as he is subtle human emotion, typically hinging on family dynamics. In films like “Nobody Knows,” “After Life” and “Still Walking” (the three best of an incredible career if you’re looking for a place to start), he turns the camera into a window. We look through it and see people a lot like us on the other side, but that empathy never comes through manipulation or cliché. With his latest, the remarkably moving “After the Storm,” he again finds truth and drama in relatable human behavior, and does so by sketching fully-realized, three-dimensional characters. “After the Storm” is about a man unable to live in the present. He is always longing for what he’s lost or dreaming about what he has yet to achieve. And it’s destroying him. We’ve all been there. We’ve all waded in regret and felt skeptical about the future. “After the Storm” is one of our best filmmaker’s best films.


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