Question

akbar 's period was a period rich in architecture. do you agree? justify your statement​

Answer 1

Answer:

Yes I agree, that Akbar's period was a period rich in architecture

Answer 2

Akbar period architecture, building style that developed in India under the patronage of the Mughal emperor Akbar (reigned 1556–1605). The architecture of the Akbar period is characterized by a strength made elegant and graceful by its rich decorative work, which reflects many traditional Hindu elements. The style is best exemplified by the fort at Agra (built 1565–74) and the magnificent town of Fatehpur Sikri (1569–74), but fine examples are also found in the gateway to the ʿArab Sarāʾī (guesthouse at Humāyūn’s tomb), Delhi (1560–61), the Ajmer fort (1564–73), the Lahore fort with its outstanding decoration (1586–1618), and the Allahabad fort (1583–84), now largely dismantled.

Agra fort

Agra fort, built by Akbar the Great, in Uttar Pradesh state, India, designated a World Heritage site in 1983.

The fortress-palace of Agra is notable for the massive enclosure wall; its entire length of 1.5 miles (2.5 km) is faced with dressed stone. The main entranceway, which is known as the Delhi gate, is attractively decorated with white marble inlay against the warm red sandstone. It was the first location in India to be designated a UNESCO World Heritage site (1983).

The capital town of Fatehpur Sikri (named a World Heritage site in 1986) is one of the most notable achievements of Islamic architecture in India. The town, which was deserted only a few years after it was built, is a great complex of palaces and lesser residences and religious and official buildings, all erected on top of a rocky ridge 26 miles (42 km) west of Agra. The Hall of Private Audience (Diwan-i-Khas) is arresting in its interior arrangement, which has a single massive column encircled by brackets supporting a stone throne platform, from which radiate four railed balconies. The palace of Jodha Bai, Akbar’s wife, and the residence of Mahesh Das (commonly known as Bīrbal, Akbar’s friend and confidant) again show—in their niches and brackets—features adopted from the religious and secular architecture of the Hindus.