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'Man with violin done by Picasso is a fine example of Analytical in 100 words
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Answer:
Explanation:
Writing about Picasso, the painter and writer Jean Metzinger remarked: "Whether it be a face or a fruit he is painting, the total image radiates in time; the picture is no longer a dead portion of space."1 Man with a Violin, a potent illustration of this assessment, is a prime example of Analytic Cubism, the approach developed by Picasso and Georges Braque beginning in 1909. Instead of creating a likeness of the figure through the use of linear perspective and three-dimensional modeling, Picasso depicted the gentleman not as he would be seen at a given moment, but as he would appear at various times from different positions in space (behind, in front, and to the side). Man with a Violin cannot, then, be compared to the outward appearance of anything already known or seen, but instead creates a reality according to its own cumulative logic of seeing. While it is difficult to determine the painting's subject at first glance, Picasso left several clues to assist us: an ear, a moustache, lips holding a white cylinder (perhaps a cigarette?), and the F-shaped sound holes of a violin. Cubist paintings such as this would influence artists working in an abstract manner, but Picasso's anthropomorphic hints reveal that he was more interested in reinventing representation than in pursuing pure abstraction. Melissa Kerr, from Masterpieces from the Philadelphia Museum of Art: Impressionism and Modern Art (2007), p. 116.