Are revolutions futile? Are the odds stacked against revolutionaries? Do they cause more harm than good? Should oppressed people revolt? Should they just endure oppression? Are there alternatives?
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This dissertation examines popular fictions that employed the history and
iconography of the American Revolution to promote radical reform movements in the
antebellum United States. The project challenges common critical assumptions that
historical fictions—and particularly those drawing upon Revolutionary history—are
inherently nostalgic and capable of conveying only a limited range of political meanings.
Rather than conservative efforts to preserve Revolutionary history, many works of this type
were extensions of their authors’ progressive reform efforts. These historical fictions sought
to recruit readers to the cause of completing the democratizing work of the Revolution in
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