“ Art, Architecture and sculpture took different shape in the hands of Humanists in Italy”-
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Answer:
Italian Renaissance painting was heavily influenced by humanistic topics and methods. However, in humanistic discourse, the overall concept of "art" was emphasised. A number of topics show how the two disciplines complement one another and grow.
Explanation:
Research in archaeology and humanist scholarship coexisted. The Laocoön, a marble sculpture from the first century C.E. that the ancient historian Pliny referred to as the greatest of all works of art, is maybe the most well-known illustration of this. The sculpture was unearthed in 1506 during an excavation at the remains of Titus' palace in Rome, exactly where Pliny said it would be.
However, a large portion of the ancient art that was recognised during the Renaissance had previously been discovered in the form of structures and sculptures, most of which were in ruins or fragmentary states and had not yet been excavated. Sarcophagi from the Roman era were employed as tombs, fountains, and other decorative elements. The Pantheon and Colosseum, as well as countless bronzes, friezes, triumphal arches, and innumerable old coins, had never ceased to be part of the city.
For instance, Michelangelo copied the Belvedere Torso, a fragmented work from the first century B.C.E., for his renowned ignudi on the Sistine Chapel ceiling. This is the perfect example of an old sculpture that influenced Renaissance painters. Before anyone paid much attention to the work, it was probably uncovered for at least a century. Furthermore, despite the admiration for Greco-Roman antiquity, its physical relics had not always been preserved with respect. Artists of the Renaissance not only took inspiration from antiquity, but they also contributed significantly to its preservation. Raphael reportedly appealed with Pope Leo X to preserve ancient structures in Rome and safeguard them from pillaging.
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