Question

art movements 1980S​

Answer 1

Answer:

APPROPRIATION-

Emerging in the late 1970s and 1980s, Appropriation Art is the borrowing, copying, or altering of images or objects that already exist. In this decade, artists like Andy Warhol and Roy Lichtenstein took images from everyday life and pop culture and created instantly recognizable art from them. For example, Andy Warhol reproduced images like the Campbell’s soup can and repeated the image or added colors to make it his own.

Due to advances in copyright laws and brand ownership, Appropriation Art today is much more complicated and less accepted than it was a few decades ago. Today’s artists tend to stay away from this art style to avoid being sued by the owner of a brand or image.

NEO-CONCEPTUAL ART-

Neo-Conceptual Art started in the 1980s and continued into the 1990s. This art style is much broader than other contemporary art styles, with no real defined parameters. Artists often worked with installation art, digital art, electronic art, or performance art styles to make a statement in the art scene. Neo-Conceptual Art often led to discussions or statements on politics, social issues, economic issues, and the like.

NEO-EXPRESSIONISM ART-

First introduced in the late 1970s, Neo-Expressionism is a style of early-postmodern or late-modernist artwork. The art style was created in response to the minimal or conceptual art popularized in the ’70s. While the previous art styles abandoned traditional art ideals, the Neo-Expressionism style reintroduced the focus on recognizable objects. However, artists did often paint intensely or emotionally—resulting in vividly-colored images and the rough handling of their materials.

POSTMODERN ART-

Made up of a variety of art styles, Postmodern Art is most notable for its blurring of the lines between fine arts and pop culture. Movements and sub-styles include performance art, lowbrow art, multi-media art, and institutional critique—among others. Artists rejected trends like medium specificity, originality, and creating art just for the sake of creating art.

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