भूतों के पैर उलट होते हैं इस पर अपने विचार व्यक्त करें हिंदी में
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Bulbbul, Netflix India’s latest release, is reminiscent of recent Hindi films like Phillauri and the earlier Talaash where the female ghost is a product of an unjust world. Writer Anvita Dutt started writing the film, which is her directorial debut, with an image — that of a woman hiding her feet under her sari in fear. The image made it to the film that is set in a 19th century upper caste landowning household in Bengal. Bulbbul’s (Tripti Dimri) husband Indranil (Rahul Bose) is exasperated that she never wears shoes. She never learns, he says. It’s an odd comment, for the scene is about the aftermath of his realisation that she might be in love with his brother, Satya (Avinash Tripathy). In the context of the film’s running motif of Bulbbul’s feet, however, the comment fits in perfectly.
The first time we see the child-bride Bulbbul is through a shot of her feet. While dressing her feet in alta, her aunt tells her that toe-rings prevent girls from flying away; they are for keeping you in control. Later her sister-in-law alludes to this when she comments on Bulbbul’s relationship with Satya by saying that her toe rings have become loose. The demon-woman is known to have inverted feet and the first time we see the good doctor Sudip (Parambrata Chattopadhyay), Bulbbul comments on his obsession with her feet.
Her feet are also what her husband targets, as he hits her in a slow motion sequence. Feet, that literally take us places, signify mobility, making them a dangerous prospect for women. The men, both Indranil and Satya, walk away to a new life when there is nothing left for them back home. The women have to find other ways.
Answer:
भूतों के पैर उलट होते हैं इस पर अपने विचार व्यक्त करें हिंदी में