Question

Bharatnatyam ke bare me six line

Answer 1

Answer:

Explanation:

Bharatanatyam is a genre of classical dance originated in Tamil Nadu, India. Traditionally, Bharatanatyam has been a solo dance performed exclusively by women,and it expressed South Indian religious themes and spiritual ideas, particularly of Shaivism, Vaishnavism and Shaktism.

Bharatanatyam's theoretical foundations trace to the ancient Sanskrit text by Bharata Muni, Natya Shastra.its existence by 2nd century CE is noted in the ancient Tamil epic Silappatikaram, while temple sculptures of 6th to 9th century CE suggest it was a well refined performance art by the mid 1st millennium CE Bharatanatyam may be the oldest classical dance tradition of India

Bharatanatyam style is noted for its fixed upper torso, legs bent or knees flexed out combined with spectacular footwork, a sophisticated vocabulary of sign language based on gestures of hands, eyes and face muscles.The dance is accompanied by music and a singer, and typically her guru is present as the director and conductor of the performance and art. The dance has traditionally been a form of an interpretive narration of mythical legends and spiritual ideas from the Hindu texts. The performance repertoire of Bharatanatyam, like other classical dances, includes nrita (pure dance), nritya (solo expressive dance) and natya (group dramatic dance)

Bharatanatyam remained exclusive to Hindu temples through the 19th century.[8] It was banned by the colonial British government in 1910, but the Indian community protested against the ban and expanded it outside the temples in the 20th century Modern stage productions of Bharatanatyam have incorporated technical performances, pure dance based on non-religious ideas and fusion themes

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Answer 2

HEY MATE,,

HERE IS YOUR ANSWER: BHARATHANATYAM

---->Bharatanatyam is a genre of classical dance originated in Tamil Nadu, India. Traditionally, Bharatanatyam has been a solo dance performed exclusively by women,and it expressed South Indian religious themes and spiritual ideas, particularly of Shaivism, Vaishnavism and Shaktism.

---->Bharatanatyam's theoretical foundations trace to the ancient Sanskrit text by Bharata Muni, Natya Shastra,its existence by 2nd century CE is noted in the ancient Tamil epic Silappatikaram, while temple sculptures of 6th to 9th century CE suggest it was a well refined performance art by the mid 1st millennium CE.Bharatanatyam may be the oldest classical dance tradition of India.

---->Bharatanatyam style is noted for its fixed upper torso, legs bent or knees flexed out combined with spectacular footwork, a sophisticated vocabulary of sign language based on gestures of hands, eyes and face muscles.The dance is accompanied by music and a singer, and typically her guru is present as the director and conductor of the performance and art.The dance has traditionally been a form of an interpretive narration of mythical legends and spiritual ideas from the Hindu texts.The performance repertoire of Bharatanatyam, like other classical dances, includes nrita (pure dance), nritya (solo expressive dance) and natya (group dramatic dance).

---->Bharatanatyam remained exclusive to Hindu temples through the 19th century.It was banned by the colonial British government in 1910,but the Indian community protested against the ban and expanded it outside the temples in the 20th century. Modern stage productions of Bharatanatyam have incorporated technical performances, pure dance based on non-religious ideas and fusion themes.

---->According to the Hindu tradition the name of the dance form was derived by joining two words, ‘Bharata’ and Natyam’ where ‘Natyam in Sanskrit means dance and ‘Bharata’ is a mnemonic comprising ‘bha’, ‘ra’ and ‘ta’ which respectively means ‘bhava’ that is emotion and feelings; ‘raga’ that is melody; and ‘tala’ that is rhythm. Thus, traditionally the word refers to a dance form where bhava, raga and tala are expressed. The theoretical base of this dance form, which is also referred as Sadir, trace back to ancient Indian theatrologist and musicologist, Bharata Muni’s Sanskrit Hindu text on the performing arts called ‘Natya Shastra’. The text’s first complete version was presumably completed between 200 BCE to 200 CE, however such timeframe also varies between 500 BCE and 500 CE.

---->The 18th century saw emergence of rule of the East India Company followed by setting up of British colonial rule in the 19th century. Such developments saw decline of various classical dance forms which were subjected to contemptuous fun and discouragement including Bharatanatyam that through the 19th century remained exclusive to Hindu temples. Eventually social and economic conditions associated with Devadasi culture added with contempt and despicable attitude from the Christian missionaries and British officials, who held the Devadasis of South India and nautch girls of North India as harlots, disgraced such systems

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