Biographical sketch of mulk raj anand and Robert frost
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Among many Indo-Anglian novelists who have committed
themselves to social reform, Mulk Raj Anand stands out. He is a
rational humanist who believes in the power of science to improve
the material conditions in the progress of mankind in human dignity
and in the quality of all men. Several of his novels take up the
condition of the oppressed and social evils like untouchability,
economic inequality and social injustice.
Mulk Raj Anand , whom we can justifiably describe as
the grand old man of Indo English fiction, was born on 12th
December 1905 in Peshawar, the capital city of North-West Frontier
province of India before the country's partition in 1947. His father,
by birth a coppersmith, a Kshatriya sub-caste, had joined the British
Army as a sepoy and risen to the position of an officer having the
designation of a Subedar. Thus Anand belonged to an ordinary
Hindu family which was financially not very well off.
His father was superficially modern and his mother was
traditional who brought up Mulk Raj Anand on the ancient stories
from the epics and the shastras. It is significant that his upbringing
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and intellectual development have led him to protest against social
injustice. Anand's father was a coppersmith who early in life
joined the army. The craftsman's industry and meticulous attention
to detail and the army man's feeling for adventure are among the
major constituents of Anand's heritage from his father. From his
peasant mother he doubtless derived his commonsense, his sense of
the ache at the heart of the Indian humanity, and his understanding
compassion for the waifs. His feeling for the suffering masses of
India colours his novels at every step and it makes him a powerful
champion of the underdog. The nineteen thirties were the most
tumults years in Indian history. It was the period in which Indian
struggle for Independence was at its peak Anand like a true Indian
could not remain uninfluenced by it. Though Mulk Raj Anand did
not participate in the civil disobedience movement, he identified
himself with it. Anand was a fifteen year old boy at Jallianwala
Bagh on April 13, 1919, the fateful day when General Dyer ordered
his men to shoot at the assembled crowd. Anand received eleven
strips on his back. This incident definitely left a scar on his mind.
As a young boy, Anand was extremely sensitive and physically
fragile. This resulted in his aloofness. At a very early age, he
received the first shock in his life. As he witnessed his pretty cousin
and playmate Kaushalya die before his eyes. This young girl of nine
years who was cheerful laughing and playing was consumed by
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Tuberculosis. Anand could not overcome this shock; he refers to this
incident as the first important crisis in his life, which left its mark
on his mind and heart: 'I could not understand why an innocent girl
should be singled out to die. And what was death ? was there
survival after the passing away of a person ? If not, then life was the
only time for happiness. And yet there was pain and suffering in
life, why was all this ? ... No answer came to my questionings, but I
could see the contrast of life and death/1
Further the death of his uncle Pratap and later that of his
good aunt, Devaki, added to his general mood of sadness and
confusion. These incidents however, forced Anand to question
further the meaning of life and death. Death seemed dark and
inevitable and this strengthened his love of life. Here it appears, are
the roots of his developing philosophical bent of mind and his
leanings towards humanism, a fundamental tenet of which is the
staunch belief in the here and now as against the unseen and
unknown hereafter.
Another important fact Anand remembers as having left a
strong impression on his boyhood were to the inhuman atrocities
perpetrated by British officers at the time of the Jallianwallah Bagh
massacre; it was only innocently that he broke the curfew order, but
the police gave him eleven stripes of the cane on the back : No
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wonder Anand grew up into an uncompromising denouncer of
imperialism. Further Anand was painfully shocked to notice the
mendacity, ignorance, and superstition of his coppersmith
brotherhood. Anand belonged to one of the many groping young
men of the generation who had begun to question everything in our
background to look away from the big houses and to feel themisery
of the inert, disease ridden, underfed, and illiterate people about
us'. He was aware that great many of our people suffered from
poverty and squalor around us with a patience that was truly
heroic. No one in India had yet written the epic of this suffering
adequately, because the realities were too crude for a writer like
Tagore, and it was not easy to write an epic in India while all the
intricate problems of the individual in the new world had yet to be
solved. It became Anand's aim as a novelist to focus attention on
this suffering and thus to write what may fittingly be called 'epics
of misery'.
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Mulk Raj Anand, (born December 12, 1905, Peshawar, India [now in Pakistan]—died September 28, 2004, Pune), prominent Indian author of novels, short stories, and critical essays in English, who is known for his realistic and sympathetic portrayal of the poor in India. He is considered a founder of the English-language Indian novel.
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