Question

Brief by outline the historical background of murder in the cathedral

Answer 1

Murder in the Cathedral, poetic drama in two sections, with an exposition sermon interval, the best play by American English writer T.S. Eliot. The play was performed at Canterbury Cathedral in 1935 and published that year. Set in December 1170, it is an advanced supernatural occurrence play on the affliction of St. Thomas Becket, ecclesiastical overseer of Canterbury. The play's most striking component is the utilization of an ensemble in the Classical Greek way. The poor ladies of Canterbury who make up the ensemble anxiously anticipate Thomas' arrival from his seven-year oust, fussing over his unstable association with King Henry II. Thomas arrives and should oppose four enticements: common delights, enduring force as chancellor, acknowledgment as a pioneer of the barons against the lord, and interminable greatness as a saint. After Thomas conveys his Christmas morning sermon, four knights in the administration of the lord address him and request him to leave the kingdom. When he cannot, they come back to kill him in the cathedral.

Answer 2

Thomas Becket was born in the place of his dad, Gilbert Becket, in Cheapside, London, at some point in the vicinity of 1115 and 1120. As a young fellow, Thomas examined clerical law and filled in as a nearby associate of Archbishop Theobald of Canterbury-Canterbury being the most vital English "see," or seat of chapel expert who appointed Thomas a minister and designated him Archdeacon of Canterbury in 1154, a post in which Thomas regulated the see's transient affairs.

After the demise of Archbishop Theobald in 1161, Henry lifted a hesitant Thomas to the post. Thomas realized that his thoughts regarding ministerial specialist would not be effectively accommodated, if by any means, to Henry's want to merge the crown's control over the congregation. Quickly, the two clashed. Thomas endeavored to recover property from Henry that the see of Canterbury had lost; he disallowed a marriage of Henry's sibling since it abused church law, and he denied the Crown's locale over criminal priests.

As Archbishop, Thomas likewise settled himself as a champion of equity for the average folks; most quite, he drove "the principal instance of any resistance to the ruler's will in the matter of tax assessment" in Britain (Dictionary of National Biography) when Henry attempted to deny nearby sheriffs pay for their administrations.

Thomas was immediately acclaimed as a saint and a holy person by the general population of England; the Pope declared Thomas' canonization on February 21, 1173. He is recognized in numerous hallowed places and houses of worship crosswise over England-including some apparently named for Thomas the messenger and his story has been told in numerous artistic structures, including Eliot's play as well as dramas by Tennyson (Becket, 1884) and Jean Anouilh (Becket; or, The Honor of God, 1961).