English, asked by aranyaarora1601, 7 months ago

Can someone plz tell which is the best and worst part of the story "the great gatsby".?????
plz i need to submit it by today....​

Answers

Answered by avnibhasin08
1

Answer:

best part of great Gatsby is The first Gatsby party Nick attends is a stylistic tour-de-force of style and technique, with Fitzgerald employing synesthesia and tense shifts to dramatize the sensory dissociation of a wild time. My absolute favorite passage in the “blue gardens” interlude concerns the drunken chorus girl who sings as the revelry gives way to sleepy exhaustion. The singer brings herself to tears, causing her mascara run in rivulets. “A humorous suggestion was made that she sing the notes on her face,” Nick reports. Going into the movie, I was sure that staves and staffs would float off the 3D screen at me and that I would bathe in that tear. Alas.

and worst is Admittedly, the first hour of “The Great Gatsby” is its most breathlessly entertaining, at least in a sort of high-off-the-exhaust-fumes-at-a-monster-truck-rally kind of way. But that first hour is marred, almost immediately, by the god-awful, wholly invented framing device of Nick Carraway (Tobey Maguire), institutionalized (for what exactly? Alcoholism? Depression? Over-acting?) and telling his story to a sympathetic shrink. Not only does this awkwardly position Maguire as the lead, without his character ever driving the story forward in any real way (he’s totally devoid of agency or discernible goals), but it’s also boring and totally dull, especially since most of this “institutionalized time” stuff takes place in the snowy winter, far from the sweltering setting of the rest of the movie. This highly unoriginal framing device (ironic, considering it’s being used to tackle what many consider one of the finest pieces of American writing) might be the worst bit of gilding an already overly shellacked lily, causing an overlong, bloated monstrosity to be even more cumbersomely ornate.

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Answered by Anonymous
1

Answer:

Nick Carraway narrates in both first and third person, presenting only what he himself observes. Nick alternates sections where he presents events objectively, as they appeared to him at the time, with sections where he gives his own interpretations of the story’s meaning and of the motivations of the other characters.

Rising Action Gatsby’s lavish parties, Gatsby’s arrangement of a meeting with Daisy at Nick’s

Falling Action Daisy’s rejection of Gatsby, Myrtle’s death, Gatsby’s murder

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