Question

carulo shikarukelle song meaning in english

Answer 1

This song in ‘Thodikodallu’ worked on the strength of its lyrics though placed without any context in the film

This song in ‘Thodikodallu’ worked on the strength of its lyrics though placed without any context in the filmOur movies have three types of songs — songs written for a strong situation in the narrative, songs just for entertainment with a fixed formula along with three or four fights, and then songs for relaxation, irrespective of the fact whether or not there is a situation for it. When the filmmaker feels that the narrative is loaded with heavy drama and the audience may need a breathing space, he opts either for a comedy scene or a song for relaxation.

This song in ‘Thodikodallu’ worked on the strength of its lyrics though placed without any context in the filmOur movies have three types of songs — songs written for a strong situation in the narrative, songs just for entertainment with a fixed formula along with three or four fights, and then songs for relaxation, irrespective of the fact whether or not there is a situation for it. When the filmmaker feels that the narrative is loaded with heavy drama and the audience may need a breathing space, he opts either for a comedy scene or a song for relaxation.Producer Dukkipaati Madhusudana Rao and director Adurthi Subbarao felt the need for such a relaxation song after watching the rushes of their family drama, Thodikodallu (1957). Along with writer Acharya Athreya they discussed the matter. No situation was given to Athreya to pen the lyric, as there existed none. Athreya then recalled a song he had written much before his entry into films. He took the song sheet from his file and gave it to the director. Both Dukkipaati and Adurthi liked it. Under the baton of music composer Master Venu, and rendered by Ghantasala, the song was recorded by Kasinathuni Viswanath at the Vauhini Studios recording theatre.

This song in ‘Thodikodallu’ worked on the strength of its lyrics though placed without any context in the filmOur movies have three types of songs — songs written for a strong situation in the narrative, songs just for entertainment with a fixed formula along with three or four fights, and then songs for relaxation, irrespective of the fact whether or not there is a situation for it. When the filmmaker feels that the narrative is loaded with heavy drama and the audience may need a breathing space, he opts either for a comedy scene or a song for relaxation.Producer Dukkipaati Madhusudana Rao and director Adurthi Subbarao felt the need for such a relaxation song after watching the rushes of their family drama, Thodikodallu (1957). Along with writer Acharya Athreya they discussed the matter. No situation was given to Athreya to pen the lyric, as there existed none. Athreya then recalled a song he had written much before his entry into films. He took the song sheet from his file and gave it to the director. Both Dukkipaati and Adurthi liked it. Under the baton of music composer Master Venu, and rendered by Ghantasala, the song was recorded by Kasinathuni Viswanath at the Vauhini Studios recording theatre.But where would the director place it, wondered the producer and the lyricist. After toying with a couple of places, Adurthi decided to keep it in the first half of the movie, in fact within 15 minutes of its roll. The ace director knew the song would be a hit with the audience and he did not want to miss it.