Characters in the book the saint
Answers
Explanation:
The Saint is the nickname of the fictional character Simon Templar, featured in a series of novels and short stories by Leslie Charteris published between 1928 and 1963. After that date, other authors collaborated with Charteris on books until 1983; two additional works produced without Charteris's participation were published in 1997. The character has also been portrayed in motion pictures, radio dramas, comic strips, comic books and three television series.
Simon Templar is a Robin Hood-like figure known as the Saint – plausibly from his initials, but the exact reason for his nickname is unknown (although the reader is told that he was given it at the age of nineteen). Templar has aliases, often using the initials S.T. such as "Sebastian Tombs" or "Sugarman Treacle". Blessed with boyish humour, he makes humorous and off-putting remarks and leaves a "calling card" at his "crimes," a stick figure of a man with a halo over his head. This is used as the logo of the books, the films, and the three TV series. He is described as "a buccaneer in the suits of Savile Row, amused, cool, debonair, with hell-for-leather blue eyes and a saintly smile".[1]
His origin remains a mystery; he is explicitly British, but in early books (e.g. Meet the Tiger) there are references which suggest that he had spent some time in the United States battling Prohibition bad guys. Presumably, his acquaintance with Bronx sidekick Hoppy Uniatz dates from this period. In the books, his income is derived from the pockets of the "ungodly" (as he terms those who live by a lesser moral code than his own), whom he is given to "socking on the boko." There are references to a "ten percent collection fee" to cover expenses when he extracts large sums from victims, the remainder being returned to the owners, given to charity, shared among Templar's colleagues, or some combination of those possibilities.
Templar's targets include corrupt politicians, warmongers, and other low life. "He claims he's a Robin Hood," says one victim, "but to me he's just a robber and a hood."[2] Robin Hood appears to be one inspiration for the character; Templar stories were often promoted as featuring "The Robin Hood of modern crime," and this phrase to describe Templar appears in several stories. A term used by Templar to describe his acquisitions is "boodle," a term also applied to the short story collection.
The Saint has a dark side, as he is willing to ruin the lives of the "ungodly," and even kill them, if he feels that more innocent lives can be saved. In the early books, Templar refers to this as murder, although he considers his actions justified and righteous, a view usually shared by partners and colleagues. Several adventures centre on his intention to kill. (For example, "Arizona" in The Saint Goes West has Templar planning to kill a Nazi scientist.)
During the 1920s and early 1930s, the Saint is fighting European arms dealers, drug runners, and white slavers while based in his London home. His battles with Rayt Marius mirror the 'four rounds with Carl Petersen' of Hugh "Bull-dog" Drummond. During the first half of the 1940s, Charteris cast Templar as a willing operative of the American government, fighting Nazi interests in the United States during World War II.
Beginning with the "Arizona" novella, Templar is fighting his own war against Germany. The Saint Steps In reveals that Templar is operating on behalf of a mysterious American government official known as Hamilton who appears again in the next WWII-era Saint book, The Saint on Guard, and Templar is shown continuing to act as a secret agent for Hamilton in the first post-war novel, The Saint Sees it Through. The later books move from confidence games, murder mysteries, and wartime espionage, and place Templar as a global adventurer.
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