Question

comment on the penultimate scene of mricchakatikam​

Answer 1

Answer:

Mṛcchakatika (Sanskrit: Mṛcchakaṭikam मृच्छकटिकम्), also spelled Mṛcchakaṭikā, Mrchchhakatika, Mricchakatika, or Mrichchhakatika (The Little Clay Cart) is a ten-act Sanskrit drama attributed to Śūdraka, an ancient playwright who is possibly from the 5th century CE, and who is identified by the prologue as a Kshatriya king as well as a devotee of Siva who lived for 100 years.[1] The play is set in the ancient city of Ujjayini during the reign of the King Pālaka, near the end of the Pradyota dynasty that made up the first quarter of the fifth century BCE.[2] The central story is that of a noble but impoverished young Brahmin, Sanskrit: Cārudatta, who falls in love with a wealthy courtesan or nagarvadhu, Sanskrit: Vasantasenā. Despite their mutual affection, however, the couple's lives and love are threatened when a vulgar courtier, Samsthānaka, also known as Shakara, begins to aggressively pursue Vasantasenā.[3]

Answer 2

The Mrichhakotika is a prakarana play in that is all there is to it the creator's development as opposed to being founded on conventional legendary writing.

Mricchakatikam​

• That The Little Clay Cart, as it's likewise known, is a prakarana play permits Sudakra to remark upon specific parts of contemporary society.
• The principal story is about a young fellow named Charudatta of Pataliputra (Patna), and his affection for Vasantasena, a rich concubine or nagarvadhu. The relationship is convoluted by a regal subject, who is likewise drawn to Vasantasena. The plot is additionally confounded by criminals and mixed-up characters, subsequently making it a silly and engaging play.
• The title Mricchakatika is a reference to human existence, it's ground real factors established in a fascinating world. The mud truck episode of Act VI is a representation of the widespread territory. Rohasena's longing for the gold truck is the everlasting human longing for flourishing. In offering her gems to the mud truck, Vasantasena joins the gathering of characters like Charudatta, Madanika, Radanika, Sarbalik, who are poor but act in a gallant way. The earth truck is clearly not valuable but rather it effectively draws out the decency in Vasantasena, offering her the opportunity to take part in the homegrown circle of Charudatta's life. This causes the tile to lay down a good foundation for itself as both in a real sense and figuratively legitimized.

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