comment on the social problems in the play 'Hayavadan'.
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To conclude, Hayavadana becomes a horse like his mother. He is fully transformed. Padmini's son gets the voice of human. Both Devadatta and Kapila interchangetheir intelligence and physical strength.
Girish Karnad, in Hayavadana, which usually won the Natya Sangh Best Perform Award in 1971, gives phrase to Of india imagination in the richest colours and deep meanings. As being a significant indicate of achievement Karnad makes bold innovations, productive experiments and new guidelines in the good Indian theatre. In Hayavadana, Karnad combines the traditional western techniques with Indian folks psyche, socio-cultural and political reality. The entire play is usually cast by means of traditional Of india folk theatre, which had taken several top features of ancient Sanskrit drama.
Hayavadana displays the drama of Tangled relationships'
where Devadatta, a man of intellect and mind, and Kapila, a
man of steel-like body, are friends and lovers of Padmini, a wife
of Devadutta. She loves the fabulous mind in the fabulous body
and craves for a son who should be a mixture of healthy mind
and healthy body. It cultivates a peculiar complexity of
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relationships which trap the characters in a state of agony and
suffering. Ultimately, they become a pitiable figure and appear
like a loner, stranger and outsider to their world.
Horse face
Hayavadana (meaning: Horse face) is a 1971 Indian Kannada language two-act play written by Girish Karnad. The plot is based on Kathasaritsagara and Thomas Mann's retelling of Transposed Heads. ... Hayavadana presents the story of two friends Devdutta and Kaplia; and their love interest Padmini.