Comment on the theme of Ved Mehta's "A world of four senses.
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Ved Mehta's "A world of four senses.
After my sickness we moved to Lahore, a few miles'away, but the procession of relatives who came to sympathise made my father ask for another transfer, this time to Karnal, where we had neither friends nor relatives. There we got a cottage on the ca~~al bank, built in very peaceful and quiet surroundings.
Though blinded at the age of three by meningitis, the indian- born writer Ved Mehta has always been relentlessly self- reliant. After his first book, the autobiographical face to face (1957), Mehta ignored the subject of his blindness. He joined The New Yorker as a staff writer in 1961 and focused his attention on postcolonial India, especially its political situation. He went so far in his refusal to make any concession to his blindness as to keep mention of it off the dust jackets of his books. Starting in 1972, however, he began a multivolume autobiographical project, which deals at great length with his handicap and his adaptation to the sighted world. The first two books, serialized before publication in The New Yorker like all subsequent volumes, were biographies of his parents, Daddyji (1972) and Mamaji (1979).
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