comment on wordsworth use of imagery in the lucy poems 700-750
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Answer:
The Lucy poems are a series of five poems composed by the English Romantic poet William Wordsworth (1770–1850) between 1798 and 1801. All but one were first published during 1800 in the second edition of Lyrical Ballads, a collaboration between Wordsworth and Samuel Taylor Coleridge that was both Wordsworth's first major publication and a milestone in the early English Romantic movement.[A 1] In the series, Wordsworth sought to write unaffected English verse infused with abstract ideals of beauty, nature, love, longing and death.
Explanation:
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Answer:
The spoken and written form of the language known as a poem has a natural speech pattern and grammatical structure.
Explanation:
Since Wordsworth frequently wrote about the English Lake District's natural beauty, one is tempted to assume that he is the speaker. Lucy and England, the speaker's two loves, are connected. This bond is sealed by her last, fatal glance at England. In order to convey to readers the serenity and beauty of nature as well as to represent the experiences that took place throughout his mental journey, William Wordsworth uses figurative language, grammar, and structure throughout the poem. Although "Lucy" poems have always been praised for their distinctive beauty, the majority of early T comments focused on the hunt for the real Lucy. Only much later did critics see the poems as a dramatic progression deserving of more serious consideration or as a thematic unit. Although these eerie ballads have been interpreted in a variety of ways, most modern research approaches them as love songs and comes to the conclusion that Wordsworth was ultimately interested in them because they in some way relate to his main issue of the interaction between man and nature. These poems' seeming simplicity belies a depth of structure and imagery that might lead us beyond the poet's position as a lover and the elliptical style of his narrative. Although these eerie ballads have been interpreted in many different ways, most contemporary analyses treat them as love poems and come to the conclusion that Wordsworth was ultimately interested in them because they in some way relate to his main theme of the interaction between man and nature. While I usually concur with the basic points of these arguments, I believe that the ballad form still makes it difficult for us to recognize the thematic connections between the "Lucy" poems and other works that are more widely regarded as being indicative of Wordsworth's philosophy. Beyond the poet's position as a lover and the elliptical nature of his story, these poems' seeming simplicity belies a complexity of structure and imagery. By approaching the experience they describe as a dream vision akin to that found in several other Romantic narratives which present a pattern of mental escape and return, we can characterize more exactly Wordsworth's notion of the "wedding" of man and nature in these poems. Wordsworth's lover explores another "passionate and wayward" hallucination in Lucy's bower, much like Keats' legendary knight does in La Belle Dame's elfin grot, where he seeks the significance of his dream. The speaker awakens from some form of "slumber" that has "locked his spirit," forcing him to confront "the remembrance of what has been, / and never more will be," in the "Lucy" cycle as a whole. Despite the fact that this reading of the poems puts less emphasis on Lucy and more on her impact on the speaker, it is still important to discuss what she represents because it involves a key premise that guides my interpretation. In the broadest sense, Lucy offers the poet a concrete symbol for those "beautiful idealisms"—such as immortality and happiness—that were the focus of the Romantic quest, but she also embodies a particular Jungian archetype known as the "high-born maiden" or the "maiden in the tower" that Lionel Stevenson referred to in his essay on Tennyson. 2 This psychological view states that the poet personifies his anima, or unconscious, in the form of a lady. The comparison to Tennyson's poetry is also beneficial because it implies that viewing the "Lucy" poems purely as amorous verses or ballads produces the same kind of constrained and inaccurate results as doing the same with "The Lady of Shalott." Lucy personifies "light," the creative imagination, and the story that the "lover," tells becomes yet another example of the typical Wordsworthian encounters with solitary on whom he projects his own inner problems. Lucy is concealed by the poet in her mystical ring of seclusion. This interpretation is supported by the fact that Wordsworth uses the term "wild" to describe both the isolated bower and the endless horizon, a word that describes both Lucy and the environment she lives in. Since "wild" typically ties solitary to Wordsworth's ideas of the sublime and imagination, it can imply both extremes, much as Lucy is both a lowly flower and a star set like a diamond in the heavens.
The correct answer is Lucy is the poem by Wordsworth who is a nature poet.
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