English, asked by rubinapal, 1 month ago

COMPOSITION WRITING*
*(200-250 Words)*

You were playing with your friends in the field when it started to rain. You decided to take shelter in the veranda of an abandoned house nearby. This is known to be a haunted house. But being brave children, you decide to explore it. Narrate your experience- what you saw- when did you come out of the house- what were your feeling.​

Answers

Answered by koyalroutray
5

Answer:

★ Have you ever been trick-or-treating when you came upon an old house and wanted to explore it? Well, I’ll tell you a story about five kids, Jake, Zach, John, Bob, and Sean, who did it.

They were trick-or-treating in their neighborhood, going door-to-door, when they came upon an old house. “Let's go in,” Sean said. Everybody said they would.

They started up the walk. The grass was overgrown, and there were a couple of broken windows. They got to the door, and it opened by itself. They went inside. They had flashlights with them, so they turned them on. The house was covered in cobwebs.

They saw a sign that said, “Beware,” and it was pointing up to the second floor. They decided to go upstairs. When they got there, they saw a hallway with three rooms. One room had an old bed and a dresser. The second room was a bathroom. The third room was a sitting room.

When they entered the third room, someone said, “Hello.” All the boys screamed and ran downstairs.

When they were at the door, the voice said, “Don’t you guys want some candy?” They turned around and saw a man with candy standing in the hallway.

They ran as fast as they could to Bob’s house. When they got there, they described the man to Bob’s mom. She said, “That sounds like Mr. Craig. He lived there when I was a kid, but he died 30 years ago.

Hope this helps ❤️

Answered by hiphoplogi123
0

Answer:

The scariest haunted house of 2017 is a giant walk-through attraction located in the former Georgia Antique Center in the outskirts of Atlanta. Named Netherworld, it features 3D special effects, aerial performers and, of course, flesh-eating clowns. Netherworld frightens so effectively, so inescapably, that people with heart conditions are warned against buying tickets.

This is what a haunted house is supposed to do. They exist to scare people. The idea behind haunted houses is not new, of course— people have entertained themselves with spooky stories for centuries — but haunted houses are different because they are inseparable from the holiday that vaulted them to cultural prominence. The tradition could not exist without Halloween; Halloween would not be the same without it.

The origins of the haunted house date back to 19th-century London, when a series of illusions and attractions introduced the public to new forms of gruesome entertainment. In 1802, Marie Tussaud scandalized British audiences with an exhibition of wax sculptures of decapitated French figures, including King Louis XVI, Marie Antoinette, Marat and Robespierre. Tussaud's likenesses were remarkably accurate, and with good reason — she created death masks of the French Revolution's many guillotine victims. When she set up a permanent London exhibition, she dubbed her grotesque collection the "Chamber of Horrors" — a name that has stuck to the wax museum to this day.

At the turn of the 20th century, as Rebekah McKendry describes in Fangoria magazine, the closest relatives to modern haunted houses began experimenting with macabre themes. In Paris, the Grand Guignol theater became notorious for its on-stage depictions of graphic dismemberment; the theater's director, Max Maurey, famously boasted that he judged each performance by the number of people who passed out, shocked, in the audience. In 1915, an English fairground in Liphook debuted one of the first "ghost houses," an early type of commercial horror attraction. The public appetite for horror was picking up.

Lisa Morton, author of Trick or Treat: A History of Halloween, tells Smithsonian.com that Halloween-themed haunted houses first emerged during the Great Depression as American parents schemed up ways to distract young tricksters, whose holiday pranks had escalated to property damage, vandalism and harassment of strangers. "They came in about the same time as trick-or-treat did," she says. "Cities looked for ways to buy these kids off, essentially."

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