conclusion of the story the little match girl
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Answer:
It's a sad story, but one that's been told time and time again for more than 100 years. Alone on a frigid night, the last of the year, a young girl spends her final moments warmed only by the matches she had failed to sell that evening. In the dying light of each flame, she is comforted by visions of a better life — a warm stove, a Christmas feast — these are the hallucinations that flash by in her final moments. Finally, as the feeling leaves her hands and the life leaves her body, the girl's late grandmother appears through the match light. Struck by the vision of the only person who had ever loved her, the girl struggles to strike her remaining matches to keep the fire burning. In that final moment, she is carried away by her grandmother as the two set out for a place where there is no more cold, or hunger, or fear.
This is the tragic ending of Hans Christian Andersen's "The Little Match Girl," but the story remains alive today.
Adapting "The Little Match Girl" for the stage and making the show's U.S. premiere, avant-garde composer Helmut Lachenmann, conductor John Kennedy, and directors Mark Down and Phelim McDermott bring the short story to life as an opera that explores the final moments of its main character and the society that allowed her to perish all alone.
"It is such a beautiful sort of tale that the horror of it and the fact she's called a little match girl and it's Hans Christian Andersen, you sort of don't notice quite what an anti-capitalist, brutal metaphor it is," says Down of master-puppeteers Blind Summit Theatre. "It's been adapted a lot by cartoonists and it's always very cute. This is a very un-cute, very truthful rendition. You really go through the cold and the freezing."
Answer:
A sad story, but for more than a century it has been told. Alone on a cold night, for the last time in a year, a little girl spends most of her waking hours warmed by a match she has been unable to sell that night. In the dying light of each flame, he is comforted by the ideas of a better life - a warm stove, a Christmas party - these are not the last ideas in his last days. Finally, as the feeling goes out of her hands and life comes out of her body, the deceased girl's grandmother is identified by the light of a match. Stung by the sight of the only person she ever loved, the girl struggles to hit the remaining match to keep the fire burning. At that last moment, she is taken by her grandmother as they both head to a place where there is no more cold, hunger, or fear.
This is a sad ending for Hans Christian Andersen's "The Little Match Girl," but the story is still alive today.
Familiar with "The Little Match Girl" starring and starring the first U.S. character, avant-garde composer Helmut Lachenmann, director John Kennedy, and directors Mark Down and Phelim McDermott live a short story like opera exploring the last moments of her main character and the community that allowed her to perish alone.
"It's such a beautiful story that its horror and the fact that she is called a little girl like Hans Christian Andersen, you do not see at all what a metaphorical anti-capitalist, cruelty," he said. Down with the puppeteers Blind Summit Theater. "It has been greatly modified by cartoonists and has always been very good. This is a very unpopular, very authentic version. You go through the cold and the cold."
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