critical appreciation of comedy of errors
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The Comedy of Errors, five-act comedy by William Shakespeare, written in 1589–94 and first published in the First Folio of 1623 from Shakespeare's manuscript. It was based on Menaechmi by Plautus, with additional material from Plautus's Amphitruo and the story of Apollonius of Tyre.
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The Comedy of Errors is light, frothy entertainment, driven by coincidence and slapstick humor, its events confined within a single day. There are hints of Shakespeare's later forays into deeper character development, especially in the early laments of Antipholus of Syracuse for his missing twin, but the story remains largely on the surface. Characters are mistaken for one another, but they do not pretend to be other than what they are--there are no disguises here, only resemblances. The plot, so concerned with outward appearances, appropriately turns on the exchange of material objects--a Courtesan's ring, a gold chain, and the thousand marks that Egeon needs to save his life. Virtually all interior life is absent, and the action is entirely physical