Critically discuss the concept of chastity and power in cilappatikaram
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Cilappatikaram (literally, “The Tale of an Anklet”) is a Tamil epic, a awesome example of one of the earliest pieces of Sangam Poetry (poetry that talks of love), passed down via oral traditions. Often taken into consideration extremely feminist, written with the aid of a Jain monk Ilango Adigal among first and 0.33 century AD, Cilappatikaram is an exciting piece of literature that makes a woman the lead of the tale. More than that, she finally ends up defending her husband and “winning” him again in a few ways.
Cilappatikaram begins with the wedding of Kannaki, the “noble daughter of a prince amongst merchants” to Kovalan, an similarly virtuous man. The beliefs of virtue round this time, for a girl, had a whole lot to do with her “chastity”. Kannaki is portrayed because the prime “spouse-fabric”, so to talk, literally stated in how “past all praise changed into Kannaki’s name famend for creating a home”. But as it so very regularly happens with the men in classical literature, Kovalan necessarily falls in love with Matavi, a courtesan, and “beneath her spell” abandons Kannaki. Courtesans round this time were one of the most effective ladies to be surprisingly educated, skilled in arts and crafts traditionally reserved for guys. The use of “below her spell” however, points to the exceptionally comparable sentiments of the public itself. She is a person who's almost “witch-like”, a person who will “scouse borrow” away the man -by “bewitching” him.
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