Question

Deconstruct the socio- political, economic and emotional landscape in Nongkynrih's "Light in the Night"​

Answer 1

Answer:

Explanation:

socio- political, economic and emotional landscape in Nongkynrih's "Light in the Night"​

• The narrator of the poem "The Aurora of the New Mind" fluffs the pillows before refusing to let the reader settle in.
• The province had seen rain, leaving the cypress and umbrella pines in a pall of swirling mists that were bent from the onshore winds.
• I was eagerly anticipating your silence.
• What a shame that it never came.
• David St. John, an English professor at the USC Dornsife College of Letters, Arts, and Sciences, stated of the poem in his new book The Auroras, "I wanted something double-edged and cutting" (HarperCollins, 2012). Before the poem continued, "I wanted to introduce tonal alterations and shift the ground slightly."
• Even yet, I resemble Scott Fitzgerald tonight as I clack my ice in a tall tumbler filled with gin, bourbon, and mint.
• Some astonishment may be heard over the streetcar's ratcheting up loudness.
• I was so hoping for your silence, and it's too bad it never came.
• The final verse of the refrain is a little different with the repeat, according to St. John. "The initial instance is meaner and more hostile. The reader feels the line's greater poignancy the second time because it is sadder the first time.
• The first component of the triptych-shaped book, which is divided into three parts, is made up of poems with lyrical themes and fantastical imagery. The poems in the second section, which are sparsely lined and use taut language to evoke the landscapes of St. John's youth. These landscapes are both true physical and emotional landscapes. For instance, St. John could have been describing his feelings about himself at the time when he wrote about a "shaky one-room cabin" and the "white limbs of an ancient tree" in "The Empty Frame."
• On the crossbeam of the darkening night, of the countryside.
• As in "The Empty Frame," St. John noted, "I generally wanted there to be for the reader this solidity of a real physical space and from that sense of comfort, I could enable a metaphor of uneasiness to enter." "I may cause some vibrations through the land after offering something firm in the terrain."

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Answer 2

Answer:

In the poem "The Aurora of the New Mind," the narrator fluffs the pillows before forbidding the reader from getting comfortable.

Explanation:

socio-political, economic, and emotional landscape in Nongkynrih's "Light in the Night"​

• The rain had fallen across the province, leaving the umbrella pines and cypress trees shrouded in a cloud of swirling mists bent by the onshore winds.

• I was looking forward to your silence.

• It's a shame it never did.

• In his new book The Auroras, English professor David St. John of the USC Dornsife College of Letters, Arts, and Sciences said of the poem, "I wanted something double-edged and piercing" (HarperCollins, 2012). "I wanted to create tonal variations and shift the ground slightly," the poet said before the poem began.
• Even yet, when I clack my ice in a tall tumbler filled with gin, bourbon, and mint tonight, I remind myself of Scott Fitzgerald.
• Over the streetcar's increasing volume, some disbelief is audible.
• It's so unfortunate that your quiet never materialized because I was so hoping for it.
• According to St. John, the recurrence makes the final stanza of the refrain slightly different.
• The first time around is meaner and harsher. Because the first reading of the line is more depressing, the reader senses the statement's greater poignancy the second time.
• The triptych-shaped book is divided into three sections, the first of which is composed of poetry with lyrical themes and fanciful images. The sparingly lined poems in the second section use crisp language to conjure up the childhood settings of St. John. These settings are genuine physical and psychological landscapes. For instance, when St. John wrote in "The Empty Frame" about a "shaky one-room hut" and the "white branches of an elderly tree," he might have been expressing how he felt about himself at the time.
• On the crossbeam of the countryside during the night's growing darkness.
• According to St. John, "I generally wanted there to be for the reader this solidity of a real physical place and from that sense of security, I could let a metaphor of disquiet to enter," as in "The Empty Frame." "After offering something solid in the ground, I might send some tremors through the earth."

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