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Describe Bengali literature.​

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The early Bengali literature can be divided into two categories:

Bengali literature indebted to Sanskrit:

It includes the translations of the Sanskrit epics, the Mangalakavyas and bhakti literature such as the biographies of Chaitanyadeva (the leader of the Vaishnava bhakti movement). These are easier to date because many manuscripts have been found indicating that they were composed between the late 15th and the middle of the 18th centuries.

Bengali literature independent of Sanskrit:

It includes Nath literature such as the songs of Maynamati and Gopichandra, stories concerning the worship of Dharma Thakur, and fairy tales, folk tales and ballads. These were cir lated orally cannot be precisely dated and were particularly popular in eastern Bengal where the Brahmanical influence was relatively weak.

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Romesh Chunder Dutt and Mir Mosharraf Hossain are notable for their works of fiction. Girish Chandra Ghosh and Dwijendralal Ray were prominent playwrights of the time, whereas Akshay Kumar Boral and Ramendra Sundar Tribedi are famous for their influential essays. Rassundari Devi authored the first full-fledged autobiography in modern Bengali literature in 1876.[16]

The Pre-Tagore era also saw an undercurrent of popular literature which was focused on daily life in contemporary Bengal. The prose style, as well as the humour in these works, were often crass, blunt and accessible. A masterpiece in this regard was "Hutom Pechar Naksha" (The Sketch of the Owl) written by Kaliprasanna Singha, and satirically depicts "Babu" culture in 19th century Kolkata. Other notable works in this regard are "Alaler Ghorer Dulal" (The Spoilt Brat) by Peary Chand Mitra, "Ramtanu Lahiri o tatkalin Banga shamaj" (Ramtanu Lahiri & contemporary Bengali society) by Nyaymohan Tarkalankar, and "Naba Babu Bilas" & "Naba Bibi Bilas" by Bhabanicharan Bandopadhyay. These books arguably portrayed contemporary Bengali dialect and popular society effectively, and also incorporated now-extinct music genres such as Khisti, Kheur and Kabiyal gaan by stalwarts like Rupchand Pakhi and Bhola Moyra. Books like these have become rarer since the emergence of Tagore culture, and the burgeoning preference for literary elegance and refinement in Bengali society.[17]

Bankim, Tagore and Nazrul

Bankim Chandra Chatterjee is considered the first successful novelist in Bengali-language and through Kazi Nazrul Islam's contributions, Bengali ghazals were enriched profusely

Rabindranath Tagore, Asia's first Nobel laureate

Bankim Chandra Chatterjee's Vande Mataram played a vital role in the Indian independence movement and he is widely respected in India though less respected in Bangladesh his novels are popular in a lesser extent in Bangladesh.[citation needed] Bankim Memorial Award is the highest literary award which is given by the Government of West Bengal, India.

Rabindranath Tagore and Kazi Nazrul Islam are the most well-known prolific writers of Bengal in this century. Tagore is celebrated as the writer of both India's national anthem, Jana Gana Mana and Bangladesh's Amar Shonar Bangla as well as being a source of inspiration for the Sri Lanka Matha and similarly Nazrul is celebrated as the national poet of Bangladesh.[18][19][20]

Short story writers

Bengali literature is also famous for short stories. Some famous short story writers are Rabindranath Tagore, Manik Bandopadhyay, Jagadish Gupta, Tarashankar Bandopadhyay, Bibhutibhushan Bandopadhyay, Rajshekhar Basu (Parasuram), Syed Mujtaba Ali, Premendra Mitra,[21]

1947-1965

Rajshekhar Basu (1880–1960) was the best-known writer of satiric short story in Bengali literature.[22] He mocked the charlatanism and vileness of various classes of the Bengali society in his stories written under the pseudonym "Parashuram".[22] His major works include: Gaddalika (1924), Kajjwali (1927), Hanumaner Swapna (1937), Gamanush Jatir Katha (1945), Dhusturimaya Ityadi Galpa (1952), Krishnakali Ittadi Galpa (1953), Niltara Ittadi Galpa (1956), Anandibai Ittadi Galpa (1958) and Chamatkumari Ittadi Galpa (1959). He received the Rabindra Puraskar, the highest literary award of Paschimbanga in 1955 for Krishnakali Ityadi Galpa.[23] Rajsheskhar was also a noted lexicographer, translator and essayist. His Chalantika (1937) is one of the most popular concise Bengali dictionaries, while his Bengali-language translations of Meghaduta (1943), the Ramayana (1946), the Mahabharata (1949) and the Bhagavat Gita (1961) are also acclaimed.[22] His major essays are included in Laghuguru (1939) and Bichinta (1955).[22]

Prakalpana Movement

Prakalpana Movement, branded by Steve LeBlanc, the noted US critic, as 'a tiny literary revolution', 'nurtured' by Kolkata, has been fostering its new genres of Prakalpana fiction, Sarbangin poetry and Chetanavyasism for over four decades, spearheaded by Vattacharja Chandan, beginning in 1969. It is probably the only bilingual (Bengali -English) literary movement in India mothered by Bengali literature, that has spread its wings worldwide through the participation of well known international avant-garde writers and mail artists such as Richard Kostelanetz, John M. Bennett, Sheila Murphy, Don Webb, with notable Bengali poets, writers and artists like Vattacharja Chandan.

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