Describe the different scientific elements in the work of 16th century Italian artists ..
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Answers
Well, here we are at the very beginning of the 16th century. The year is 1504, and we are somewhere… dusty. Actually, this is a studio in Florence where marble statues are carved. Sculpture is a major art form in the Italian Renaissance, and the masters have learned to depict human figures in a way that is both highly realistic and very idealized.
See that man over there? That's the famous Italian artist Michelangelo, and he's working on his masterpiece, a sculpture of David. This statue perfectly represents Renaissance ideals. These artists greatly valued the Classical traditions of ancient Rome and Greece and so, David is depicted as a male nude, like a Roman hero or god would have been. Michelangelo carved this figure with idealized ratios between parts of the body, determined by geometric formulas. David is clearly posed but in a life-like way, leaning on one foot and looking off into the distance.
Like most Renaissance sculpture, there are multiple levels of meaning in this statue. The actual moment depicted is just before David fights the giant Goliath. However, it also represents the struggle of the city of Florence against more powerful and aggressive states.
We don't want to disturb Signore Michelangelo, so let's hop back in the time machine. And off we go to Rome. It's a few years later, around 1510, and many of the most prominent Renaissance artists are here, painting the newly rebuilt Vatican, the center of the Catholic world. Pope Julius II has commissioned half of Italy to work on this.
Answer:
in the sixteenth century many Renaissance aritsts from italy wants to acheive realism in their art for this they used many scientfic elements like.
1. many artists used geometry to get more realistic in their art. they used geometry to portrate their work in three dimentional.
2.many artists went to medical school to study human autonomy in order to get the best idea of the human body and bones.
these are some of the scientific elements used by the artists of italy in the sixteenth century.