Describe the subject of painting “Brahmacharies” of Amrita Shergil .
Explain this on 100 to 150 words .
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Answer:
Amrita Sher-Gil (30 January 1913 – 5 December 1941) was a Hungarian-Indian painter. She has been called "one of the greatest avant-garde women artists of the early 20th century" and a "pioneer" in modern Indian art. Drawn to painting from an early age, Sher-Gil started getting formal lessons in the art, at the age of eight. She first gained recognition at the age of 19, for her oil painting titled Young Girls (1932).
Sher-Gil traveled throughout her life to various countries including Turkey, France, and India, deriving heavily from precolonial Indian art styles and its current culture. Sher-Gil is considered an important painter of 20th-century India, whose legacy stands on a level with that of the pioneers from the Bengal Renaissance. She was also an avid reader and a pianist. Sher-Gil's paintings are among the most expensive by Indian women painters today, although few acknowledged her work when she was alive.
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Answer:
Amrita Sher-Gil, Sher-Gil also spelled Shergil, (born January 30, 1913, Budapest, Hungary—died December 5, 1941, Lahore, India [now in Pakistan]), painter who was one of the pioneers of the modern movement in Indian art.Sher-Gil was born of an Indian father and a Hungarian mother. She had a precocious talent for painting that was noticed early, and she was encouraged in her pursuit by her uncle, Ervin Baktay, an Indologist and a former painter himself. During her childhood she lived at different times in both India and Europe. At 16 she entered the École des Beaux-Arts in Paris, where she was influenced by the work of Paul Cézanne, Amedeo Modigliani, and Paul Gauguin. In 1934 she left Paris—where she had begun to have some success as an artist—and returned to India, inspired by the notion that her future as a painter lay there.In India, Sher-Gil’s first effort was to find a mode of delineation appropriate to her Indian subjects. Influenced in particular by the wall paintings of the Ajanta Caves in western India, she attempted to fuse their aesthetic with the European oil painting techniques she had learned in Paris. Her style was in marked contrast to that of her contemporaries—Abanindranath Tagore, Abdur Rahman Chughtai, and Nandalal Bose—who belonged to the Bengal school, which represented the first modern movement of Indian art. She considered the school retrograde and blamed it for what she called the stagnation that, in her estimation, characterized Indian painting of the time. An exceptional colourist, Sher-Gil was able to achieve special effects with colours that were unbridled and bold, in direct contrast to the pale hues in vogue among her contemporaries.
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