Question

Describe through the example of the development and beauty of Gujraj style?
(proper explanation)​

Answer 1

Answer:

Art and Culture of Gujarat

The vast array of handcrafted products displaying intricate Gujarati art forms are not only popular in our country, but are a well-known entity all across the globe. These products include furniture, jewelry, embroidered garments, leatherwork, metalwork, baked clay articles, and mirror work. Gujarat serves as the producer of some of the most creative and elegant furnishings that include bedcovers, quilts, cushion covers, and table mats. Intricate dainty patterns are woven on the patola sarees with high precision. The traditional art forms of the state play a significant role in preserving its rich heritage.

Music

The folk music of Gujarat is known as Sugam Sangeet and has acclaimed worldwide fame. The range of musical instruments utilized in Gujarati folk music includes Turi, Manjira, Ektaro, Jantar, Zanz pot drum, Prabhati, dhol, and Ravan Hattho. Bhajans are also incorporated in their folk songs. Bardic tradition is another major type of folk Gujarati music.

Dance Forms

Since Gujarati people are quite enthusiastic and amiable, they have many traditional forms of dance. The four major forms of dance are Dandiya Raas, Garba, Padhar, and Garbi.

• Dandiya Raas is performed by both men and women and utilizes the movement of bamboo sticks, known as Dandiyas. It has ancient roots and was believed to be played by the beloved Gopis of Lord Krishna.
• Garba is usually performed by the females in a circular formation. It is performed with reverence of the feminine form of divinity.
• Garbi is traditionally performed by only the men and incorporates the use of instruments like dhol and Manjiras.
• Padhar is mainly performed by the rural communities near Nal Lake.

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I HOPE THIS HELPS. (*^▽^*)

Answer 2

The Gujarat style is the most important of all the provincial styles in India.

Two factors are responsible for the prodigious output of architecture in this region:

The egotism of the powerful Ahmed Shahi dynasty wanted to surround themselves with architectural shreds of evidence of their might.

The supply of skilled indigenous workmen.

The Gujarat style is the most indigenous Indian style of all the provincial styles. Many structures are adaptations or extracts of local Hindu and Jain temples.

The style can be divided into three main periods:

First Period (First half of the 14th Century A.D.)

Consisted of the customary phase of demolition of temples followed by reconversion of the building materials.

The buildings of this period have the appearance of being formative and experimental.

Many buildings were built using materials from Hindu temples. Most often, the pillars would be used as they were, while the walls would be built of original masonry, sometimes using stones taken from the temples and recut to suit the requirements.

Second Period (First half of the 15th Century A.D.)

In this period, we see the art approaching an early consummation, with slightly tentative qualities.

There is more directional authority in the buildings and increased assurance in the design.

This can also be called the Ahmed Shahi period, after the Sultan Ahmed Shah.

Third Period (Second half of 15th Century A.D.)

This is the most magnificent aspect of the style.

Most of the development in this phase happened under Sultan Mahmud I Begarha (1458-1511).