Design a journal on Robert Frost use the following sub topics- Life[1 page] work[1page] achievements[1page]
Answers
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Before we begin our summary, take a look at Frost's poem in its entirety:
'Design' by Robert Frost (1922)
'I found a dimpled spider, fat and white,
On a white heal-all, holding up a moth
Like a white piece of rigid satin cloth--
Assorted characters of death and blight
Mixed ready to begin the morning right,
Like the ingredients of a witches' broth-
A snow-drop spider, a flower like a froth,
And dead wings carried like a paper kite.'
'What had that flower to do with being white,
The wayside blue and innocent heal-all?
What brought the kindred spider to that height,
Then steered the white moth thither in the night?
What but design of darkness to appall?-
If design govern in a thing so small.'
In Frost's first stanza, which is a group of lines in a poem, the speaker opens by describing a white spider hunting a white moth on a heal-all. The heal-all is a flower with medicinal properties. The flower holds the moth, but nothing can stop the dark forces of nature, or in this case, the hungry spider. When the speaker mentions the witches' broth, Frost implies that darkness lurks everywhere. Humanity, according to Frost, is as unprotected as the moth on a flower and as dangerous as the spider.
Question:-
Design a journal on Robert Frost use the following sub topics- Life[1 page] work[1page] achievements[1page]
Robert Frost was an American poet and winner of four Pulitzer Prizes. Famous works include “Fire and Ice,” “Mending Wall,” “Birches,” “Out Out,” “Nothing Gold Can Stay” and “Home Burial.” His 1916 poem, "The Road Not Taken," is often read at graduation ceremonies across the United States. As a special guest at President John F. Kennedy’s inauguration, Frost became a poetic force and the unofficial "poet laureate" of the United States.
In 1894, Frost had his first poem, "My Butterfly: an Elegy," published in The Independent, a weekly literary journal based in New York City.
Two poems, "The Tuft of Flowers" and "The Trial by Existence," were published in 1906. He could not find any publishers who were willing to underwrite his other poems.
In 1912, Frost and Elinor decided to sell the farm in New Hampshire and move the family to England, where they hoped there would be more publishers willing to take a chance on new poets
Two poems, "The Tuft of Flowers" and "The Trial by Existence," were published in 1906. He could not find any publishers who were willing to underwrite his other poems.
In 1912, Frost and Elinor decided to sell the farm in New Hampshire and move the family to England, where they hoped there would be more publishers willing to take a chance on new poets.
Within just a few months, Frost, now 38, found a publisher who would print his first book of poems, A Boy’s Will, followed by North of Boston a year later.
It was at this time that Frost met fellow poets Ezra Pound and Edward Thomas, two men who would affect his life in significant ways. Pound and Thomas were the first to review his work in a favorable light, as well as provide significant encouragement. Frost credited Thomas's long walks over the English landscape as the inspiration for one of his most famous poems, "The Road Not Taken."
Apparently, Thomas's indecision and regret regarding what paths to take inspired Frost's work. The time Frost spent in England was one of the most significant periods in his life, but it was short-lived. Shortly after World War I broke out in August 1914, Frost and Elinor were forced to return to America.
Public Recognition for Frost’s Poetry
When Frost arrived back in America, his reputation had preceded him, and he was well-received by the literary world. His new publisher, Henry Holt, who would remain with him for the rest of his life, had purchased all of the copies of North of Boston. In 1916, he published Frost's Mountain Interval, a collection of other works that he created while in England, including a tribute to Thomas.
Journals such as the Atlantic Monthly, who had turned Frost down when he submitted work earlier, now came calling. Frost famously sent the Atlantic the same poems that they had rejected before his stay in England.
In 1915, Frost and Elinor settled down on a farm that they purchased in Franconia, New Hampshire. There, Frost began a long career as a teacher at several colleges, reciting poetry to eager crowds and writing all the while.
He taught at Dartmouth and the University of Michigan at various times, but his most significant association was with Amherst College, where he taught steadily during the period from 1916 until his wife’s death in 1938. The main library is now named in his honor.
For a period of more than 40 years beginning in 1921, Frost also spent almost every summer and fall at Middlebury College, teaching English on its campus in Ripton, Vermont.
In the late 1950s, Frost, along with Ernest Hemingway and T. S. Eliot, championed the release of his old acquaintance Ezra Pound, who was being held in a federal mental hospital for treason due to his involvement with fascists in Italy during World War II. Pound was released in 1958, after the indictments were dropped.
Robert Frost’s Most Famous Poems
Robert Frost’s Most Famous PoemsSome of Frost’s most well-known poems include:
- “The Road Not Taken”
- “Birches”
- “Fire and Ice”
- “Mending Wall”
- “Home Burial”
- “The Death of the Hired Man”
- “Stopping By Woods on a Snowy Evening”
- “Acquainted with the Night”
- “Out, Out”
- “Nothing Gold Can Stay”
During his lifetime, Frost received more than 40 honorary degrees.
In 1924, Frost was awarded his first of four Pulitzer Prizes, for his book New Hampshire. He would subsequently win Pulitzers for Collected Poems (1931), A Further Range (1937) and A Witness Tree (1943).
In 1960, Congress awarded Frost the Congressional Gold Medal.
On January 29, 1963, Frost died from complications related to prostate surgery. He was survived by two of his daughters, Lesley and Irma. His ashes are interred in a family plot in Bennington, Vermont