Difine th following. 1. Pishtaq 2.Havelis 3. Qibla 4. Baolis 5. Pietra - Dura
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Answer:
1.pistaq=In Islamic architecture, a rectangular frame around an arched opening, usually associated with an iwan. From: pishtaq in A Dictionary of Architecture and Landscape Architecture .
2.Havelis=A haveli is a traditional townhouse, mansion, manor house, palace or fort in the Indian subcontinent, usually one with historical and architectural significance.
3.Qibla=The qibla is the direction towards the Kaaba in the Sacred Mosque in Mecca, which is used by Muslims in various religious contexts.
4.Baolis=A baoli is a reservoir in which water can be stored. It is also a source of ground water. Numerous tanks and baolis were commissioned by the ruling clans in which water was collected mainly during the rainy season and was then used throughout the year by the people in the neighbourhood.
5.Pietra-Duer=Pietra dura, (Italian: “hard stone”), in mosaic, any of several kinds of hard stone used in commesso mosaic work, an art that flourished in Florence particularly in the late 16th and 17th centuries and involved the fashioning of highly illusionistic pictures out of cut-to-shape pieces of coloured stone.
Pishtaq. In Islamic architecture, a rectangular frame around an arched opening, usually associated with an iwan.
Havelis .A haveli is a traditional townhouse, mansion, manor house, palace or fort in the Indian subcontinent, usually one with historical and architectural significance.
Qibla.the point toward which Muslims turn to pray, especially the Kaʿba, or House of God, at Mecca.
Baolis .A baoli is a reservoir in which water can be stored. It is also a source of ground water. ... The steps also enabled accessibility to water during summers when the water level went down. In India, baolis are mainly found in the arid north-western region due to the scarcity of water there.
Pietra-Dura.Pietra dura, (Italian: “hard stone”), in mosaic, any of several kinds of hard stone used in commesso mosaic work, an art that flourished in Florence particularly in the late 16th and 17th centuries and involved the fashioning of highly illusionistic pictures out of cut-to-shape pieces of coloured stone.