Discuss Shakespeeare's portrayal of Rome and Egypt in antony and cleopatra
Answers
Explanation:
Antony and Cleopatra (First Folio title: The Tragedie of Anthonie, and Cleopatra) is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607;[1][2] its first appearance in print was in the Folio of 1623.
The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in the Roman Republic and Ptolemaic Egyptand is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome.
Many consider Shakespeare's Cleopatra, whom Enobarbus describes as having "infinite variety", as one of the most complex and fully developed female characters in the playwright's body of work.[3]:p.45 She is frequently vain and histrionic enough to provoke an audience almost to scorn; at the same time, Shakespeare invests her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses.[4] It is difficult to classify Antony and Cleopatra as belonging to a single genre. It can be described as a history play (though it does not completely adhere to historical accounts), as a tragedy (though not completely in Aristotelian terms), as a comedy, as a romance, and according to some critics, such as McCarter,[5] a problem play. All that can be said with certainty is that it is a Roman play, and perhaps even a sequel to another of Shakespeare's tragedies, Julius Caesar.
Answer:
Duty. Duty is central to Antony and Cleopatra because it exemplifies the honor central to being in a position of power. Duty to the state is explored in the play, but so is duty to loved ones and one's self. The conflict between all these different types of duty provides the central tension of the play.
Explanation:
Shakespeare’s Antony and Cleopatra has a political romance at its heart: its titular lovers cannot separate their positions of power from their passion for one another, and their personal relationship captures on a human scale the encounter between two great civilizations, Rome and Egypt.
In this excerpt from Shakespeare’s Roman Trilogy, Paul Cantor writes about the Romanization of Egypt and the Egyptization of Rome in Antony and Cleopatra.
“Having triumphed militarily over all rival regimes and linked up its vast dominions with roads and communication routes, Rome seems poised to impose its way of life on the entire Mediterranean world. With everyone acknowledging the authority of Rome, the Romanization of Egypt seems to be the order of the day. When Cleopatra thinks of committing suicide in the wake of Antony’s death, she claims to be following a Roman model: “Let’s do’t after the high Roman fashion” . Roman religion has evidently begun to permeate Egyptian society at all levels, from the lowest to the highest. The Egyptian eunuch Mardian talks of “what Venus did with Mars” while Cleopatra’s speech is filled with references to Roman deities:
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