Question

Discuss The Duchess of Malfi as a feminist text within 600 words for 15marks​

Answer 1

Explanation:

the process by which green plants turn carbon dioxide and water into food using energy from sunlight

please make me brainliest answer krde

Answer 2

$\huge\bf{{\color{indigo}{A}}{\color{maroon}{N}}{\red{S}}}$

The Duchess of Malfi is an unusual central figure for a 17th-century tragedy not only because she is a woman, but also because, as a woman, she combines virtue with powerful sexual desire. Dympna Callaghan places Webster's character in the context of contemporary drama, politics and discourses about widows and female sexuality.

Despite this opening caveat, it is worth noticing that feminine endings frequently appear in early modern literary versification in contexts of indeterminacy and hesitation, sometimes with specifically gendered implications. The case of Shakespeare’s Sonnet 20—“A woman’s face with nature’s own hand painted”—comes to mind, with its systematic recourse to feminine ending on all fourteen lines of the poem. Hovering between a masculine and a feminine status, that extra syllable could be interpreted as the additional member that makes the “fair youth” male, while the fact that this should be a weak syllable somehow unmans him. Equally connoting unmanning and weakness of resolve, the feminine endings of the first four lines of Hamlet’s “To be or not to be” monologue in the play that bears his name can be read as a gesturing towards the feminine, for a male hero whose next test of resolve will be a confrontation with Ophelia at the end of the same monologue.