Discuss the factors responsible for the growth of modern american drama
Answers
In the 19th century, the American public was seeking for entertainment rather than art through the American theatre. With the beginning of modernization and strong desires for entertainment, the taste was also rapidly changing.
And the change most of the time is reflected in the field of drama as well. The recent critics of the United States believe that American drama was born in The Prince town Playhouse in 1916. But actually it was way earlier that American drama came in to existence.
EUGENE O' NEILL
Eugene O’ Neill, an American dramatist, who is internationally reputed in the field of drama, also got the noble prize in 1936. He was influenced by Henrik Ibsenand Maurice Maeterlinck.
He is remembered for realist and expressionist drama. Moreover the credit goes to Eugene O’Neill for his realist and naturalistic play. Before O’Neill in American theater, there were melodrama which were sentimental and having the sense of excitement. But when O’ Neill came with the philosophical subject matter , he became out of reach from the audience, because he got the subject matter from ancient Greek time and mix it with Freudian psychoanalysis.
O’Neill’s Iceman Cometh is very much philosophical and gloomy play that was staged in Broadway in 1946.It became only popular in off Broadway in the year 1956. Another finest play of O’Neill is Long Day’s Journey in to Night (1956) is considered by many critics to be a triumph of realistic drama . It is about human responsibility and love-hate with in a family.O’Neill also started writing autobiographical play and before him there is no one to write in such trend, and being autobiographical, the subject of the play is O’ Neill’s early childhood with unrealized hope. This drama simply tries to deny the authenticity of American dream.
ARTHUR MILLER
Miller belongs to the second half of the twentieth century. Miller was leftist and being leftist he starts his dramatic career with the propaganda plays. In his propaganda plays he explicitly overthrows capitalism and advocates for the establishment of socialism. Miller is influenced by Marxism. His propaganda plays are not published until the publication of Death of a Salesman in 1949. In his later plays after propaganda plays he implicitly advocate Marxism. Miller’s first time play is known to be All my Sons (1947). Whenever he comes with his first play he does not use experimental technique but the old realistic tradition, Miller’s play are rather similar to the plays of Henrik Ibsen (the great nineteenth century naturalistic playwright). Miller’s best known play Death of a Salesman is supposed to be the best modern tragedy in the sense that he tries to experiment the concept of tragic hero, pronounced by Aristotle in poetics. According to Aristotle the tragic hero should be from noble birth, intelligent but the hero of Death of a Salesman is Willy Loman, very simple man from the simple family who is a traveling business man.
EDWARD ALBEE
Albee is supposed to be one of the greatest absurdist playwrights after the Second World War in American literature. By the early 1960s, Albee was widely considered to the successor of Williams and Miller. Albee was the first and perhaps the only one of his theatrical generation to move from YAM (Young American Playwright) to FAM (Famous American Playwright). Albee came up with the series of successful works like a play written in Absurdist style; The American Dream; a play that attacks on the false values which have destroyed the real values in American society ; Who’s Afraid of Virginia Woolf?, The most famous book having the theme of emptiness, and so on. Most of Albee’s dramas lack specific setting. Audiences never know the situation and the place where things are happening in play. This is the important feature of absurdist drama. Most of the characters presented by Albee in his works are restless and uncomfortable in their own self. The characters in Albee’s plays seem to suffer from loneliness because they cannot or will not make any connection with each other. Through such an image of the characters, it can be assumed that Albee’s view about human condition is that it is always overpowered by separateness and loneliness. Love is also presented in his plays but not in the way of romantic situation but in the way of lost, decay, fall and failure.
American Drama would not be known as it is now for its unlike styles, characters and sets, without this flowing, setting it apart from the last decades of the 19th century American theatre.
It largely grew as a result of which had been largely given over to melodramas with naturalistic acting styles.