discuss the nature of Bengal Renaissance. what were it's limitations? word limit 300
Answers
The Bengali Renaissance or simply Bengal Renaissance, was a cultural, social, intellectual and artistic movement in Bengal region in the eastern part of the Indian subcontinent during the period of the British Indian Empire, from the 19th century to the early 20th century dominated by Bengali Hindu community.[1]
Historian Nitish Sengupta describes the Bengal Renaissance as taking place from Raja Ram Mohan Roy (1772–1833) through Rabindranath Tagore (1861–1941).[2] According to historian Sumit Sarkar, 19th century Bengali religious and social reformers, scholars, literary giants, journalists, patriotic orators and scientists were revered and regarded with nostalgia in the early and mid 20th century. In the early 1970s, however, a more critical view emerged[3]. "Few serious scholars could deny that 19th century Bengal had fallen considerably short of the alleged Italian prototype", wrote Sarkar. Although in 1990 the "average educated Bengali" still admired the Bengali Renaissance, "most intellectuals who would like to consider themselves radical and sophisticated", no longer glorified the period.
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Answer:
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The Bengali Renaissance or simply Bengal Renaissance, was a cultural, social, intellectual and artistic movement in Bengal region in the eastern part of the Indian subcontinent during the period of the British Indian Empire, from the 19th century to the early 20th century dominated by Bengali Hindu community.
Historian Nitish Sengupta describes the Bengal Renaissance as taking place from Raja Ram Mohan Roy (1772–1833) through Rabindranath Tagore (1861–1941). According to historian Sumit Sarkar, 19th century Bengali religious and social reformers, scholars, literary giants, journalists, patriotic orators and scientists were revered and regarded with nostalgia in the early and mid 20th century. In the early 1970s, however, a more critical view emerged. "Few serious scholars could deny that 19th century Bengal had fallen considerably short of the alleged Italian prototype", wrote Sarkar. Although in 1990 the "average educated Bengali" still admired the Bengali Renaissance, "most intellectuals who would like to consider themselves radical and sophisticated", no longer glorified the period.
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Explanation:
-from ABHI