Question

Discuss the use of irony and satire in the poem"the unknown citizen"

Answer 1

There is verbal irony in the poem "The Unknown Citizen." It is a comparison between a regular citizen, who goes about his business daily and leads a very quiet life, and the Unknown Soldier, who received various monuments from the Allied Powers of WWI.

Answer 2

Answer:

$\huge\mathfrak\red {Answer}$

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      “ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ” ʙʏ ᴡ.ʜ. ᴀᴜᴅᴇɴ, ᴜsᴇs ɪʀᴏɴʏ ᴛᴏ sʜᴏᴡ ʜᴏᴡ ᴀ ᴘᴇʀsᴏɴ’s ᴡᴇʟʟ ʙᴇɪɴɢ ᴅᴏᴇs ɴᴏᴛ ᴅᴇᴘᴇɴᴅ ᴏɴ sᴛᴀᴛɪsᴛɪᴄs ᴏʀ ᴛʜᴇ ᴘʀᴀɪsɪɴɢ ᴏғ ᴀ ɢᴏᴠᴇʀɴᴍᴇɴᴛ. ᴀᴜᴅᴇɴ ᴅᴇʟɪᴠᴇʀs ʜɪs ᴍᴇssᴀɢᴇ ʙʏ ᴡʀɪᴛɪɴɢ ᴀ ᴘᴏᴇᴍ ᴀʙᴏᴜᴛ ʜᴏᴡ ᴀ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ɢʀᴀɴᴛs ᴀɴ ᴏʀᴅɪɴᴀʀʏ ᴄɪᴛɪᴢᴇɴ ᴀ ᴍᴏɴᴜᴍᴇɴᴛ ʙᴇᴄᴀᴜsᴇ ᴏғ ʜɪs ᴀᴛᴛʀɪʙᴜᴛᴇs ᴀɴᴅ ᴅᴇᴇᴅs ᴛᴏ ᴍᴀᴋᴇ ʜɪᴍ ᴀ ᴍᴏᴅᴇʟ ᴄɪᴛɪᴢᴇɴ ғᴏʀ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ.  ᴀᴜᴅᴇɴ ᴄʜᴏᴏsᴇs ᴛᴏ ᴡʀɪᴛᴇ ᴡɪᴛʜ ᴀ ᴅᴜʟʟ, ᴏʀᴅɪɴᴀʀʏ ᴛᴏɴᴇ, ᴡʜɪᴄʜ ᴍᴀᴋᴇs ɪᴛ ɪʀᴏɴɪᴄ ʜᴏᴡ ᴛʜᴇ ᴘᴏᴇᴍ ɪs sᴜᴘᴘᴏsᴇᴅ ᴛᴏ ʙᴇ ᴀʙᴏᴜᴛ ᴀ ᴍᴏɴᴜᴍᴇɴᴛᴀʟ ᴘʀᴀɪsɪɴɢ ᴏғ ᴀ ᴄɪᴛɪᴢᴇɴ. ᴅᴇᴇᴘᴇʀ ɪɴᴛᴏ ᴛʜᴇ ᴘᴏᴇᴍ, ᴛʜᴇ sᴘᴇᴀᴋᴇʀ ʙᴇɢɪɴs ᴛᴏ ʀᴇғᴇʀ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ᴀs ᴀ “sᴀɪɴᴛ” ᴅᴇsᴘɪᴛᴇ ᴋɴᴏᴡɪɴɢ ʜɪs ғɪʀsᴛ ᴏʀ ʟᴀsᴛ ɴᴀᴍᴇ. ғɪɴᴀʟʟʏ, ᴀᴜᴅᴇɴ ᴄʀᴇᴀᴛᴇs ɪʀᴏɴʏ ʙʏ ᴘʀᴏᴠɪᴅɪɴɢ ᴛᴡᴏ ᴅᴇᴇᴘ ǫᴜᴇsᴛɪᴏɴs ᴛᴏ ᴛʜᴇ ᴀᴜᴅɪᴇɴᴄᴇ ʀᴇɢᴀʀᴅɪɴɢ ᴛʜᴇ ᴡᴇʟʟ ʙᴇɪɴɢ ᴏғ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ.  ɪɴ ᴛʜᴇ ᴘᴏᴇᴍ, ᴀᴜᴅᴇɴ ᴜsᴇs ɪʀᴏɴʏ ᴛᴏ ᴘʟᴀʏ ᴡɪᴛʜ ᴏᴜʀ ᴇxᴘᴇᴄᴛᴀᴛɪᴏɴs ʙʏ ᴛᴏɴᴇ ᴀɴᴅ ᴅɪᴄᴛɪᴏɴ ᴛᴏ ᴅᴇʟɪᴠᴇʀ ᴀ ᴍᴇssᴀɢᴇ ᴏғ ᴡʜᴇᴛʜᴇʀ ғᴀᴄᴛs ᴀɴᴅ ᴛʜᴇ ᴘʀᴀɪsɪɴɢ ᴏғ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ᴀʀᴇ ᴄᴀɴ ʙᴇ ᴜsᴇᴅ ᴛᴏ ᴅᴇᴛᴇʀᴍɪɴᴇ ᴛʜᴇ ᴡᴇʟʟ ʙᴇɪɴɢ ᴏғ ᴀɴ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ.

          ᴀᴜᴅᴇɴ ᴜsᴇs ɪʀᴏɴʏ ʙʏ ᴡʀɪᴛɪɴɢ ᴀ ᴘᴏᴇᴍ ᴏғ ᴘʀᴀɪsᴇ ᴡɪᴛʜ sᴜᴄʜ ᴀ ᴅᴜʟʟ, ᴏʀᴅɪɴᴀʀʏ ᴛᴏɴᴇ. ᴀᴜᴅᴇɴ sᴇᴛs ᴜᴘ ᴛʜᴇ ᴘᴏᴇᴍ ᴀs ᴀ ᴍᴏɴᴜᴍᴇɴᴛᴀʟ ᴄᴇʀᴇᴍᴏɴʏ ᴛᴏ ᴘʀᴀɪsᴇ ᴀ ᴍᴀɴ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ᴘʀᴏᴠɪᴅᴇs ғᴏʀ ᴅᴏɪɴɢ ᴅᴇᴇᴅs ᴛʜᴀᴛ ᴍᴀᴋᴇ ʜɪᴍ ᴀ ᴍᴏᴅᴇʟ ᴄɪᴛɪᴢᴇɴ. ʜᴏᴡᴇᴠᴇʀ, ᴡɪᴛʜ ᴛʜᴇ ᴘᴏᴇᴍ’s ᴅᴜʟʟ ᴛᴏɴᴇ, ᴛʜᴇ ᴘᴏᴇᴍ sᴏᴜɴᴅs ᴍᴏʀᴇ ʟɪᴋᴇ ᴀ ʙᴏʀɪɴɢ ʙᴜsɪɴᴇss ʟᴇᴛᴛᴇʀ ᴏғ ғᴀᴄᴛs ᴀɴᴅ sᴛᴀᴛɪsᴛɪᴄs ʀᴀᴛʜᴇʀ ᴛʜᴀɴ ᴀ ᴊᴏʏғᴜʟ ᴄᴇʟᴇʙʀᴀᴛᴏʀʏ ᴅᴏᴄᴜᴍᴇɴᴛ ᴏғ ʀᴇᴄᴏɢɴɪᴛɪᴏɴ. “ғᴏʀ ɪɴ ᴇᴠᴇʀʏᴛʜɪɴɢ ʜᴇ ᴅɪᴅ ʜᴇ sᴇʀᴠᴇᴅ ᴛʜᴇ ɢʀᴇᴀᴛᴇʀ ᴄᴏᴍᴍᴜɴɪᴛʏ. / ᴇxᴄᴇᴘᴛ ғᴏʀ ᴛʜᴇ ᴡᴀʀ ᴛɪʟʟ ᴛʜᴇ ᴅᴀʏ ʜᴇ ʀᴇᴛɪʀᴇᴅ/ ʜᴇ ᴡᴏʀᴋᴇᴅ ɪɴ ᴀ ғᴀᴄᴛᴏʀʏ ᴀɴᴅ ɴᴇᴠᴇʀ ɢᴏᴛ ғɪʀᴇᴅ, / ʙᴜᴛ sᴀᴛɪsғɪᴇᴅ ʜɪs ᴇᴍᴘʟᴏʏᴇʀs, ғᴜᴅɢᴇ ᴍᴏᴛᴏʀs ɪɴᴄ./ ʏᴇᴛ ʜᴇ ᴡᴀsɴ'ᴛ ᴀ sᴄᴀʙ ᴏʀ ᴏᴅᴅ ɪɴ ʜɪs ᴠɪᴇᴡs” (ᴀᴜᴅᴇɴ 6-10) ᴛʜᴇ ᴡᴀʏ ᴛʜᴇ ᴘᴏᴇᴍ ɪs ᴅɪᴄᴛᴀᴛᴇᴅ ʙʏ ᴛʜᴇ sᴘᴇᴀᴋᴇʀ ʀᴇғʟᴇᴄᴛs ᴛᴏ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ; ᴏʀᴅɪɴᴀʀʏ. ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ɪs ᴅᴇsᴄʀɪʙᴇᴅ ɪɴ ᴀ ᴠᴇʀʏ ᴍᴜɴᴅᴀɴᴇ ᴡᴀʏ ᴡɪᴛʜ ɴᴏ ᴘᴇʀsᴏɴᴀʟɪᴛʏ ᴏʀ ɪɴᴛᴇʀᴇsᴛ sʜᴏᴡɴ ʙʏ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ. ɪᴛ ɪs ɪʀᴏɴɪᴄ ʜᴏᴡ ᴛʜᴇ sᴘᴇᴀᴋᴇʀ sᴏᴜɴᴅs ᴜɴɪɴᴛᴇʀᴇsᴛᴇᴅ ᴀʙᴏᴜᴛ ᴛʜᴇ ᴘᴇʀsᴏɴ ᴡʜᴏ ʜᴇ ɪs ᴘʀᴀɪsɪɴɢ. ʙᴀsᴇᴅ ᴏɴ ᴛʜᴇ ᴛᴏɴᴇ, ᴛʜᴇ sᴘᴇᴀᴋᴇʀ ᴍᴀᴋᴇs ɪᴛ sᴇᴇᴍ ᴛʜᴀᴛ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ɪs ɴᴏᴛ ᴛʀᴜʟʏ ɪɴᴛᴇʀᴇsᴛᴇᴅ ɪɴ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ᴀɴᴅ ɪs ᴏɴʟʏ ᴜsɪɴɢ ᴀs ᴀ ᴍᴏᴅᴇʟ ᴄɪᴛɪᴢᴇɴ ᴛʜʀᴏᴜɢʜ ʜɪs ᴏʀᴅɪɴᴀʀʏ ғᴀᴄᴛs.

          ᴛʜᴇ sᴘᴇᴀᴋᴇʀ ᴄᴏᴍᴘᴀʀᴇs ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ᴛᴏ ᴍɪɢʜᴛʏ ᴛʜɪɴɢs ᴅᴇsᴘɪᴛᴇ ɴᴏᴛ ᴇᴠᴇɴ ᴋɴᴏᴡɪɴɢ ʜɪs ɴᴀᴍᴇ. ᴛʜᴇ sᴘᴇᴀᴋᴇʀ ᴏɴᴄᴇ ʀᴇғᴇʀʀᴇᴅ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ᴛᴏ ᴀ “sᴀɪɴᴛ” ᴡʜɪʟᴇ ᴛʜᴇ ɪᴅᴇɴᴛɪᴛʏ ɢɪᴠᴇɴ ᴛᴏ ᴛʜᴇ ᴍᴀɴ ɪs “ᴊs/07 ᴍ 378/” (ᴀᴜᴅᴇɴ 1). ɪᴛ ɪs ɪʀᴏɴɪᴄ ʜᴏᴡ ᴀ ᴍᴀɴ ʀᴇғᴇʀʀᴇᴅ ᴛᴏ ᴀs ᴀ sᴀɪɴᴛ ɪs ʟᴀʙᴇʟᴇᴅ ᴀs ᴀ sᴛᴀᴛɪsᴛɪᴄ. ᴛʜᴇ sᴘᴇᴀᴋᴇʀ ᴄᴀʟʟs ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ᴀ “sᴀɪɴᴛ” ʙᴇᴄᴀᴜsᴇ ʜᴇ sᴇʀᴠᴇs ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ᴘᴇʀғᴇᴄᴛʟʏ ᴛʜʀᴏᴜɢʜ ʜɪs ʀᴇᴄᴏʀᴅs ᴀɴᴅ sᴛᴀᴛɪsᴛɪᴄs ᴛᴏ ᴍᴀᴋᴇ ɪᴛ sᴜɪᴛᴀʙʟᴇ ғᴏʀ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ᴛᴏ ᴄᴀʟʟ ʜɪᴍ ᴏɴᴇ. ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ɪs ᴏɴʟʏ ᴜsɪɴɢ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ᴀs ᴀ ᴛᴏᴏʟ ᴛᴏ ᴍᴀᴋᴇ ᴏᴛʜᴇʀ ᴄɪᴛɪᴢᴇɴs ʟɪᴋᴇ ʜɪᴍ. ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ɪs ᴊᴜsᴛ ᴀɴ ᴏʀᴅɪɴᴀʀʏ ᴍᴀɴ ᴡʜᴏ ᴅᴏᴇs ᴏʀᴅɪɴᴀʀʏ ᴛʜɪɴɢs ᴛʜᴀᴛ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ sᴜᴘᴘᴏʀᴛs ᴛᴏ ᴍᴀᴋᴇ ʜɪᴍ ᴀ ᴍᴏᴅᴇʟ ᴄɪᴛɪᴢᴇɴ.

          ᴛʜᴇ sᴘᴇᴀᴋᴇʀ ғɪɴᴀʟʟʏ ᴜsᴇs ɪʀᴏɴʏ ʙʏ sᴛᴀᴛɪɴɢ ᴛᴡᴏ ǫᴜᴇsᴛɪᴏɴs ʀᴇɢᴀʀᴅɪɴɢ ᴛʜᴇ ᴡᴇʟʟ ʙᴇɪɴɢ ᴏғ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ. ᴛʜᴇ ǫᴜᴇsᴛɪᴏɴs ᴀʀᴇ, “ᴡᴀs ʜᴇ ғʀᴇᴇ? ᴡᴀs ʜᴇ ʜᴀᴘᴘʏ?” (ᴀᴜᴅᴇɴ 29). ʙᴀsᴇᴅ ᴏɴ ᴛʜᴇ ᴡʜᴏʟᴇ ᴘᴏᴇᴍ, ᴛʜᴇ sᴘᴇᴀᴋᴇʀ sᴛᴀᴛᴇs ʀᴇʟᴇɴᴛʟᴇss ғᴀᴄᴛs ᴏғ ʜᴏᴡ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ɪs ᴛʜᴇ ᴘᴇʀғᴇᴄᴛ ᴍᴏᴅᴇʟ ᴄɪᴛɪᴢᴇɴ ᴛᴏ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ғᴏʀ ᴏᴛʜᴇʀs. ʜᴏᴡᴇᴠᴇʀ, ʙᴀsᴇᴅ ᴏɴ ᴛʜᴏsᴇ ғᴀᴄᴛs, sᴏᴍᴇ ᴘᴇᴏᴘʟᴇ ᴡᴏᴜʟᴅ ᴀᴜᴛᴏᴍᴀᴛɪᴄᴀʟʟʏ ʙᴇʟɪᴇᴠᴇ ᴛʜᴀᴛ ᴛʜᴇ ᴀɴsᴡᴇʀs ᴛᴏ ᴛʜᴏsᴇ ǫᴜᴇsᴛɪᴏɴs ᴀʀᴇ ʏᴇs. ʀᴇᴀʟʟʏ, ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ʜᴀs ᴀʙsᴏʟᴜᴛᴇʟʏ ɴᴏ ɪᴅᴇᴀ ʜᴏᴡ ᴏʀ ᴡʜᴀᴛ ᴛʜᴇ ᴡᴇʟʟ ʙᴇɪɴɢ ᴏғ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ɪs. ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ᴄᴏᴜʟᴅ ʙᴇ ᴀ ᴍɪsᴇʀᴀʙʟᴇ ᴍᴀɴ ᴄʜᴀɪɴᴇᴅ ᴜᴘ ᴛᴏ ᴀ ᴡᴀʟʟ ᴡʜɪʟᴇ ᴋᴇᴇᴘɪɴɢ ᴛʜᴇ sᴀᴍᴇ ʀᴇᴄᴏʀᴅs ᴀɴᴅ sᴛɪʟʟ ʙᴇɪɴɢ ᴘʀᴀɪsᴇᴅ ʙʏ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ. ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ɪs ʀɪᴅɪᴄᴜʟᴏᴜs ғᴏʀ ʀᴇᴄᴏɢɴɪᴢɪɴɢ ᴀɴ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ᴛᴏ ᴛᴜʀɴ ʜɪᴍ ɪɴᴛᴏ ᴀ ᴍᴏᴅᴇʟ ғᴏʀ ᴏᴛʜᴇʀs ʙʏ ᴘᴇʀғᴏʀᴍɪɴɢ ᴏʀᴅɪɴᴀʀʏ ᴛᴀsᴋs ᴛᴏ ᴍᴀɪɴᴛᴀɪɴ ᴛʜᴇ ᴄᴏᴜɴᴛʀʏ ᴛʜᴇ ᴡᴀʏ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ᴡᴀɴᴛs.

          ᴡ.ʜ. ᴀᴜᴅᴇɴ ᴄʀᴇᴀᴛᴇs ɪʀᴏɴʏ ʙʏ ᴘʟᴀʏɪɴɢ ᴡɪᴛʜ ᴏᴜʀ ᴇxᴘᴇᴄᴛᴀᴛɪᴏɴs ɪɴ, “ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ”. ᴀᴜᴅᴇɴ’s ɢᴏᴀʟ ɪɴ ᴡʀɪᴛɪɴɢ ᴛʜɪs ᴘᴏᴇᴍ ɪs ᴛᴏ ᴄᴏɴᴠᴇʏ ᴀ ᴍᴇssᴀɢᴇ ᴏғ ғᴀᴄᴛs ᴀɴᴅ sᴛᴀᴛɪsᴛɪᴄs ᴄᴀɴɴᴏᴛ ᴅᴇᴛᴇʀᴍɪɴᴇ ᴛʜᴇ ᴡᴇʟʟ ʙᴇɪɴɢ ᴏғ ᴀ ᴘᴇʀsᴏɴ. ᴀᴜᴅᴇɴ ᴀᴄʜɪᴇᴠᴇs ʜɪs ɢᴏᴀʟ ʙʏ ᴄᴏɴᴠᴇʏɪɴɢ ʜɪs ᴍᴇssᴀɢᴇ ᴛʜʀᴏᴜɢʜ ɪʀᴏɴʏ. ᴛʜᴇ ᴍᴀɪɴ ᴄʜᴀʀᴀᴄᴛᴇʀ ɪs ᴜɴᴋɴᴏᴡɴ ᴡʜɪʟᴇ ᴋɴᴏᴡɴ sᴏ ᴍᴜᴄʜ ғʀᴏᴍ ᴛʜᴇ ɢᴏᴠᴇʀɴᴍᴇɴᴛ ᴛʜᴀᴛ ɢɪᴠᴇs ᴛʜᴇ ᴡʜᴏʟᴇ sᴛᴏʀʏ ᴀɴ ɪʀᴏɴɪᴄ ғᴇᴇʟ. ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ɪs ᴄᴏᴍᴘᴀʀᴇᴅ ᴛᴏ ʜᴏʟʏ ᴠɪʀᴛᴜᴏᴜs ᴘᴇʀsᴏɴ ᴡʜɪʟᴇ ʜɪs ɴᴀᴍᴇ ᴀɴᴅ ᴍᴏsᴛ ᴏғ ʜɪs ʟɪғᴇ ʙᴇʜɪɴᴅ ᴛʜᴇ sᴛᴀᴛɪsᴛɪᴄs ɪs ᴀ ᴍʏsᴛᴇʀʏ. ᴀɴᴅ ғɪɴᴀʟʟʏ, ᴀᴜᴅᴇɴ ʜᴀɴᴅs ᴏᴜᴛ ᴛᴡᴏ ǫᴜᴇsᴛɪᴏɴs ᴛʜᴀᴛ ᴍᴀᴋᴇ ᴛʜᴇ ʀᴇᴀᴅᴇʀ ʀᴇᴛʜɪɴᴋ ᴛʜᴇ sᴛᴏʀʏ ᴛᴏ ɢɪᴠᴇ ᴛʜᴇ ᴀᴜᴅɪᴇɴᴄᴇ ᴀɴ ᴏᴘɪɴɪᴏɴ ᴏғ ᴛʜᴇɪʀ ᴏᴡɴ ᴛᴏ ᴅᴇᴛᴇʀᴍɪɴᴇ ᴡʜᴇᴛʜᴇʀ ᴛʜᴇ ᴜɴᴋɴᴏᴡɴ ᴄɪᴛɪᴢᴇɴ ɪs ᴀ ʜᴀᴘᴘʏ ᴍᴀɴ. ᴀᴜᴅᴇɴ ᴅᴇʟɪᴠᴇʀs ᴀ ᴍᴇssᴀɢᴇ, ᴡɪᴛʜ ᴛʜᴇ ʜᴇʟᴘ ᴏғ ɪʀᴏɴʏ, ᴛʜᴀᴛ ʜᴀᴘᴘɪɴᴇss ᴀɴᴅ ғʀᴇᴇᴅᴏᴍ ᴀʀᴇ ɴᴏᴛ ʙᴀsᴇᴅ ᴏɴ ғᴀᴄᴛs ᴀɴᴅ sᴛᴀᴛɪsᴛɪᴄs

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