Drizzle in the city to wash vehicles reports writting
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When the Seine leaves Paris for the Channel, it makes several large loops while being forced by physics to skirt high ground. The first of these “bays” contains the hills of the Seine, low waves across a crescent-shaped region upon which the suburbs have intruded, but where large forests still remain, and also an area that shelters an airfield frequently bombed during World War II, so that craters can be seen on its many wooded walks. La Hauts-de-Seine halfmoons a landscape that is historically layered, in touch with the city but almost country in character, neither entirely one thing nor the other, a condition that makes it attractive to this geographical novel, in which flora and fauna, climate and terrain, are traits like those ascribed normally to fictional creatures and are the environments that the narrator walks through, either by himself or in the guise of friends who become his surrogate travelers.
In this bay, an area withdrawn from the whole, the narrator has marooned himself, and his journeys are confined to rambles that the onset of suburbanism has reduced and circumscribed. They take place over a terrain where any hill higher than a building becomes a mountain, but a mountain nevertheless so puny it fails to roughen the map: a no man’s land where he--from January to December of 1993--will make his home and write this meditation on voyages once taken or presently imagined or repeatedly dreamed.
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