elo?
b) How is the ruler of Florence show his appreciation for Michelangelo's
work?
Answers
Answer:
After leaving Ghirlandaio's studio Michelangelo went to work for Lorenzo the Magnificent, the ruler of Florence and head of the powerful .
Explanation:
Michelangelo was a sculptor, painter and architect widely considered to be one of the greatest artists of the Renaissance — and arguably of all time. His work demonstrated a blend of psychological insight, physical realism and intensity never before seen. His contemporaries recognized his extraordinary talent, and Michelangelo received commissions from some of the most wealthy and powerful men of his day, including popes and others affiliated with the Catholic Church. His resulting work, most notably his Pietà and David sculptures and his Sistine Chapel paintings, has been carefully tended and preserved, ensuring that future generations would be able to view and appreciate Michelangelo’s genius.
Early Life and Training
Michelangelo Buonarroti (Michelangelo di Lodovico Buonarroti Simoni) was born on March 6, 1475, in Caprese, Italy. His father worked for the Florentine government, and shortly after his birth his family returned to Florence, the city Michelangelo would always consider his true home.
Did you know? Michelangelo received the commission to paint the Sistine Chapel ceiling as a consolation prize of sorts when Pope Julius II temporarily scaled back plans for a massive sculpted memorial to himself that Michelangelo was to complete.
Florence during the Italian Renaissance period was a vibrant arts center, an opportune locale for Michelangelo’s innate talents to develop and flourish. His mother died when he was 6, and initially his father initially did not approve of his son’s interest in art as a career.
At 13, Michelangelo was apprenticed to painter Domenico Ghirlandaio, particularly known for his murals. A year later, his talent drew the attention of Florence’s leading citizen and art patron, Lorenzo de’ Medici, who enjoyed the intellectual stimulation of being surrounded by the city’s most literate, poetic and talented men. He extended an invitation to Michelangelo to reside in a room of his palatial home.
Michelangelo learned from and was inspired by the scholars and writers in Lorenzo’s intellectual circle, and his later work would forever be informed by what he learned about philosophy and politics in those years. While staying in the Medici home, he also refined his technique under the tutelage of Bertoldo di Giovanni, keeper of Lorenzo’s collection of ancient Roman sculptures and a noted
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