Essay On "A Fire At Sea" & "A Flood"
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EssaysFlood Essay for Students and Children
EssaysFlood Essay for Students and Children500+ words Essay on Flood
EssaysFlood Essay for Students and Children500+ words Essay on FloodFlood is one of the most dangerous natural disasters. It happens when excessive water is collected in any area. It usually happens due to heavy rainfall. India is highly prone to flood. There are many regions in the country that face this natural disaster because of the overflowing of rivers. Moreover, it also happens because of the melting of snow. Another reason for floods is when the dam breaks down. If we look at the coastal areas, the hurricanes and tsunamis are held responsible for causing floods. In this essay on flood, we will see the prevention and after-affect of flood.
Answer:
Two boys play in island brush, fashioning slingshots to target little sandpiper birds. One of them, we later learn, is Samuele, a clever boy who belongs to generations of fisherman, but gets seasick even on a modestly choppy boat ride. However, the film is not about this Italian boy, or about his family, or even about island life—it’s about Europe’s refugee crisis.
Therein lies Rosi’s genius. He lures us into a cinematic, windswept, seaside vista, invites us to fall in love with the mischievous boy-next-door, and then slowly unveils a larger story that we simply cannot look away from. Samuele’s island is Lampedusa, which has become kind of quiet Ground Zero for the Mediterranean migrant stream because of its location between North Africa and Europe.
We eventually meet the sensitive Dr. Bartolo, who becomes our eyes into the harsh reality of the refugees. He has the unfathomable task of treating the migrants who arrive at Lamepdusa’s shores in deplorable conditions. Many are near death; others are already there. With very little dialogue and no narration, Rosi delivers raw humanity, laid bare, in all its forms—from the innocence of childhood to the silent suffering of tortured souls who are hanging on to survival by a thread.
The masterful documentary—Italy's contender for best foreign language film at the 2017 Oscars—is constructed and shot like a narrative. Its breathtaking camera work, character relationships, and the way the plot unfolds all come from the conventions of fictional cinema, rather than documentary. No Film School sat down with Rosi after the film's New York Film Festival screening to learn more about his unusual documentary process, from framing his shots like a narrative DP, to why he never looks at the source material in post-production once he’s made his initial scene selections.
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