Question

Essay on literary on british poetry in 3000 words

Answer 1

What is Poetry?

To ask ‘What is poetry?’ is very much like asking ‘What is Literature?’ and in fact the answers to both these questions overlap: Poetry is perceived as fictional, it uses specialised language, in many cases it lacks a pragmatic function, it is also ambiguous.

Outward Indications

In addition, there are a number of outward signs that indicate a poem: Most obviously, the individual text lines in poetry do not fill the entire width of the page. Thus, before they have actually started reading, readers of poetry are given an instant indication that what they are going to read is probably a poem. In consequence, a reader’s attention is likely to focus on ‘poetic features’ of the text.

Poetry is often associated not only with specialised language but with a very dense use of such specialised language. Poems usually try to express their meaning in much less space than, say, a novel or even a short story.Alexander Pope once explained that he preferred to write poetry even when he wrote about philosophy because it enabled him to express himself more briefly (Pope, Preface to An Essay on Man, 1734). As a result of its relative brevity, poetry tends to make more concentrated use of formal elements, it displays a tendency for structural, phonological, morphological and syntacticoverstructuring, a concept which originated in formalist and structuralist criticism. It means that poetry uses elements such as sound patterns, verse and metre, rhetorical devices, style, stanza form or imagery more frequently than other types of text . Obviously, not all poems use all these elements and not all verse is poetry, as John Hollander remarks (Hollander 2001: 1). Especially modern poets deliberately flaunt reader expectations about poetic language (see the 'found poem' in Basic Concepts). Nonetheless, most poetry depends on the aesthetic effects of a formalised use of language.

Some people associate poetry with subjectivity and the expression of intense personal experience. While this is true for some poetry, especially lyrical poetry, there are a great number of poems this does not apply to; for example narrative poems like Scott’s Marmion or didactic and philosophical poems like Pope’s Essay on Man or John Philips’ Cyder. Just as it is often misleading to identify the author of a novel with its narrator, one should not assume that the author of a poem is identical with its speaker and thus even lyrical poems cannot be treated as subjective expressions of the author. The two levels of author and speaker should always be kept separate. The communication situation in poetry is very similar to the one in prose except that poetry very often does not include dialogue, thus the inner box is optional.