Evaluate dravidian culture
Answers
Explanation:
Dravidian people or Dravidians are a linguistic group originating in ... Proto- Dravidian may have been spoken in the Indus civilization, suggesting a "tentative date ...
Answer:
Ancient Dravidian religion constituted of an animistic and non-Vedic form of religion which may have influenced the Āgamas, Vedic and non-Vedic texts which post-date the Vedic texts. The Agamas are Tamil and Sanskrit scriptures chiefly constituting the methods of temple construction and creation of murti, worship means of deities, philosophical doctrines, meditative practices, attainment of sixfold desires and four kinds of yoga. The worship of village deities, as well as sacred flora and fauna in Hinduism is recognized as a survival of the pre-Vedic Dravidian religion. Hinduism can be regarded as a religious and cultural fusion or synthesis between ancient Dravidian and Indo-Aryans, and other local elements.
Throughout Tamilakam, a king was considered to be divine by nature and possessed religious significance. The king was 'the representative of God on earth' and lived in a "koyil", which means the "residence of a god". The Modern Tamil word for temple is koil. Ritual worship was also given to kings. Modern words for god like "kō", "iṟai" and "āṇḍavar" now primarily refer to gods. Tolkappiyar refers to the Three Crowned Kings as the "Three Glorified by Heaven. In the Dravidian-speaking South, the concept of divine kingship led to the assumption of major roles by state and temple.
Literary evidence of traditional form of theatre, dance and music dates back to the 3rd century BCE. Ancient literary works, such as the Cilappatikaram, describe a system of music. The theatrical culture flourished during the early Sangam age. Theatre-dance traditions have a long and varied history whose origins can be traced back almost two millennia to dance-theatre forms like Kotukotti, Kaapaalam and Pandarangam, which are mentioned in an ancient anthology of poems entitled the Kaliththokai. Dance forms such as Bharatanatyam are based on older temple dance forms known as Catir Kacceri, as practised by courtesans and a class of women known as Devadasis.
Dravidian speakers in Southern India wear varied traditional costumes depending on their region, largely influenced by local customs and traditions. The most traditional dress for Dravidian men is the lungi, or the more formal dhoti, called veshti in Tamil, panche in Kannada and Telugu, and mundu in Malayalam. The lungi consists of a colourful checked cotton cloth. Many times these lungis are tube-shaped and tied around the waist, and can be easily tied above the knees for more strenuous activities. The lungi is usually everyday dress, used for doing labour while dhoti is used for more formal occasions. Many villagers have only a lungi as their article of clothing. The dhoti is generally white in colour, and occasionally has a border of red, green or gold. Dhotis are usually made out of cotton for more everyday use, but the more expensive silk dhotis are used for special functions like festivals and weddings.